This is one Super Friends moving lomo camera, fourfold in his soon-to-sell borrowed before a play out, and the first time inverting EtoC process thoroughly washed, lomo a ~ also happens to be logging the Shanghai yuanshen skateboard field top toys plate shop opened the game activities.
Although Taiwan lomo, but its super-powerful four-cell function can take four different screen format leaflet, a four-frame while shooting the same scene, a group of Georgia take the same two images, four-frame continuous shooting (minutes 3 seconds, 2 seconds 1 second of three grades). In addition to continuous shooting mode other than flash can be set to open, close, Night Portrait and the automatic stalls. Burst mode flash is prohibited. Self-timer with a timer function is also very powerful. .
Then said I feel, as the use of a lomo camera, ask it to fine out of the movie is not possible, but as long as you fully understand the characteristics of a good camera, hand up and down from the technology, or you can get more good photos ~ of course, the so-called technique, in fact, nothing too much technology, which is, if you are using the volume, to minimize iso100 day outdoor shooting, not playing flash free, while indoors please sure to open the Flash, or take a piece of black. So there is no Flash continuous shooting mode or is suitable for outdoor use. But if you use a volume, iso400 is to avoid shooting in the Sun to prevent over Flash.
Finally on the lomo camera, add that to lomo effect Please buy positives also were positive with negative red flushing operations, with the general negative is not up to the official who lomography sample the color is absolutely negative to positive impulse! . .
The following is in Shanghai yuanshen skateboard field top toys plate shop opened the game activity records sample:.
Camera: Aryca a four-frame lomo camera. .
Film: a lomo film the EtoC inverting hedge.
Replacement of equipment because the camera's owner, intends to use the sale of this camera, the venue and interested, please:. .
http://item。.taobao。.com/auction/item_detail。.htm?item_num_id=5942142650。.
Thank you:). .
135 w Deputy film machine, Xpan should be the most famous, almost the only bar (fuji have exactly the same, just different OEM manufacturers).
The trial for the Hasselblad Xpan II, and 5. .6/30 ASPHERICAL, 4 / 45, 4 / 90 set of three lenses, a 30-plus additional viewfinder. This one is my favorite course of 30 ultra-wide, xpan Well, since both more widespread, it would be more extensive and complete. .
On the fuselage, Xpan II shutter from 1/8 sec-1000 seconds, can adapt to almost any shooting needs (three lenses maximum aperture only 4-5. .6 level, 1/1000 sec shutter is sufficient. Otherwise the aperture priority exposure, using comparison operators. But if shooting landscapes perfect exposure, it is better to use external light meter and manual exposure to more accurate. Xpan can take standard format or the equivalent of approximately two Deputy General film width, switch the inside of the machine will automatically adjust the film sector, to ensure that each film is continuous shooting, no extra spaces, making full use of the film. While its volume is relatively unique equipment, load directly over the first film after film to the last one, and then count down the remaining forms of photography and prompted several sheets. Macular machine is very bright, bright viewfinder than (mainly the following day met with leicaM6 viewfinder, so the word with a relatively bright, in fact, very bright, and only lost to leica). Default 45mm lens viewfinder perspective, the use of 90mm lens will automatically switch to the 90mm, the middle of the frame with a visit to correct function, when the switch to the standard film frame when the viewfinder, will shrink to the width of the leaflet.If using 30mm lens, you need to connect an external viewfinder, you still need to use the fuselage with a viewfinder macular AF, and then use the external viewfinder, an external viewfinder with a bubble level, easy calibration for horizontal position.
On the use of feelings, this machine feels very stable, of course, also backs a little bit tired, and shutter vibration is very small, off-chip design is very good, full use of negatives, macular light, manual focus is very comfortable, but it comes as 30 of the lens The most shocking wide-angle, telephoto and 90 can also be taken to the background of the portrait the perfect virtual photo, Deputy shot wide landscape is very atmospheric, film is a film portrait of taste. Use fly in the ointment is that he felt hood and lens cap design deficiencies must win to remove the lens hood cap, not the kind of inconvenient to remove, really can not take. This operation, less human. .
The following is the tie 30mm lens on the machine according to: (Liuyi's day afternoon visit records).
Camera: Hasselblad Xpan II. .
Lens:Hasselblad 5。.6/30 ASPHERICAL。.
Film: Fuji Provia 100F. .
The final payment on a vertical shot to enlarge.
nikon F3 is a very classic nikon professional camera, is a very long life nikon SLR cameras, from its inception in 1980, has turned out F3HP, F3T, F3AF, F3P, F3 Limited, F3H editions until 1996. .
F3 launches is to replace before the famous F2, but also from a purely mechanical camera transition to electronic shutter SLR. And can provide the aperture priority exposure, shutter speed, stall from 8 seconds-1/2000 seconds, Flash sync speed is 1/80 sec. A quartz blank control with 10-second self-timer LED lamp flashes of delayed-action, exposure lock, depth of field preview, reflective plates lift, multiple exposure, quick-lock, and other functions, you can replace the variety on the focusing screen and viewfinder.
I have the use of this platform is the F3 HP version of the F3, which is equipped with high eye point finder DE-3 version. Point of view up to 25mm, ideal for friends to use the eye wear.Use the down and feel quite comfortable, and the camera is holding steady, as compared to FM2, F3 handheld location one more hand, relatively more comfortable grip, shutter sound, vibration, very pleasant, the viewfinder is a small LCD screen to display the current shutter, through the small window can display the current aperture, very convenient, depth-of-field Preview button and the previous use of the camera from the camera, depends on the location to move to the bottom of the upper, but uses the handle and convenient place, and the exposure lock button exactly and I used to use Contax machine instead, from the upper part of the move to the lower portion of the move operation on a slightly bumpy (that is, exposure lock buttons and depth-of-field Preview button and Contax location on the contrary, the difference is in the depth of field preview without shutter and exposure lock at the same time need to press the shutter, so comparing or exposure lock button at the top, while more convenient finger) F3 as interchangeable viewfinder of the camera, so the Flash shoe is not in the upper portion of the viewfinder, which is in the position of the rewind button, you need to connect with external converter . However, I have not used this feature. .
This time, while using a Nikkor 50mm 1: 1. .2 large aperture header.
This mirror image both in terms of looks and feel, are extremely toxic. This does not add comments such as this, please direct purchase. Will never regret. .
Following on the machine:.
Camera: Nikon F3HP. .
Lens: Nikkor 50mm 1:1。.2。.
Film: Fuji Provia 100F. .
Please forgive me for using the large aperture.
Even at 1. .2 Full-time. .
Coke, with irresistible blur.
There could not believe the sharpness of focus. .
To use Contax G2, I immediately followed the Konica Hexar experience. It is commonly known as ingenuity. (Note that it is configured not to replace 35 mm F2. af lens .0 ingenuity, you need to distinguish is another Hexar RF, the configuration of the Leica M bayonet lens can be replaced by manual focusing paraxial camera).
Hexar has a P, A, and M are three exposure modes, shutter speeds from 30 seconds -1/250 sec and T the door, use the down feelings P file is not used, the most commonly used aperture priority, adjusting the aperture in the machine the top of the turntable, very convenience, the manual is not so human, and shutter speed needs to adjust from the button in, very convenient. And between the use of the mirror shutter, Hexar's shutter is known for light, whether voice or vibration, can be easily lost in the sound of the surrounding environment. .
Hexar af-paraxial camera, focus distance of 0. .6 meters, the viewfinder there are inspections for compensation. Although the viewfinder simultaneously in a small ruler showing the focus distance (0. .6 to infinity two figures see move), but the actual use or not used, the eye cannot be used to confirm whether the focus, even more accurate figures. Hexar is using double-take infrared active AF system, precision higher than ordinary single-receiver system. Actual use down the machine speed is not fast enough, and precision watch pieces seemed to be really accurate. Hexar can also MF manual focus, but its operation and its manual M files to control shutter speed, requires key operation, very inconvenient. The use of visible Hexar mainly automatic exposure and automatic focus as a priority. .
But the most famous Hexar, or it is configured with the F2 35mm. LENS. HEXAR .0 So-called Lycra the 35/2, you can use it on the exterior, 35/2 and you'll also be able to do. Of course, personally I think both AF and MF in the use of touch and feeling completely unable to analogy. But I think their picture quality and colour should really learn it. Because this lens Imaging is not blowing. (Actually dare to do so were not for high-end side of the lens axis machine, with that selected will not match the scenes where the poor) also the built-in lens hood is still very touch and easy to use. However, the depth of field scale on the side of the lens to do some really simple. .
The entire weight is just good Hexar, very suitable for street sweeping and Humanities documentary, 2. big aperture .0 in the night can be a very good response. I think this is one of the many walks in the film the way photography paraxial friends will watch one of the camera.
The following sample test machine:. .
Camera: Konica Hexar。.
Film: FUJI Provia 100F. .
Ever had the pleasure of ask Joel Sen students play with nudges the contax G1, the experience can be seen this for reference:.
http://orangesheep. . Blogbus. .com/logs/54568346. . Html. .
But this time also had the privilege can be used on the G2 with carl zeiss planar T * 2/35, and TLA200 Flash.
G2 relative to G1 in appearance the most obvious difference is the body side face has a dial by hand, use the manual focus. .
The G2 in the parameter's most notable improvement is the highest shutter speed from 1/2000 of the G1 seconds to 1/4000 M stalls seconds, and A stall or even to 1/6000 seconds. Another hard enhancement is the continuous shooting speed from G1 2 per second and up to 4 tickets per second.
G1 G2 size slightly bigger than a little weight from 460g up to 560g. .
In actual use, compared to the G1 G2 the biggest difference is the viewfinder more bright, spacious and comfortable, and auto-focus capability, no longer like G1 so indecisive, La bellows and half shutter after basic is determined once and for all, a noticeable increase in speed, sound is so bitter. But since the paraxial, AF sense still makes people less at ease, always worried that last piece will run out. (In most cases the actual use that is not run too far, only finished as far as possible not to change the focus camera to the object being shot distance, in order to avoid bias, but rather within the viewfinder can not perceive whether the offset) G2 shutter sound should be a bit lighter than the G1, but may also use the G1 without a few times, not to mention also the matter of a few months ago, and perhaps psychological, read on. .
About TLA200 Flash, G2 really is very eye-catching. The overall effect is far too light show. By ttl metering control Flash intensity, but somehow I attempt are generally too Flash very powerful, as the trial time is shorter, yet on exactly where.
About carl zeiss planar 2 / 35 T *, the performance of slides in the fuji rdp3 too as the color of the next, not only because zeiss, planar structure is more important. With the previous used contax t3 on sonnar 2. .8/35 T * than the color is more rich, and soft-focus and more. .
The following small press two sample:.
Camera: Contax G2. .
Lens: Carl Zeiss Planar 2/35 T*。.
Film: Fuji Provia 100F. .
First of all, I have to say, I love the minolta.
But this is my first time to use the MF minolta camera body. Prior has been a loyal minolta AF system users. .
This time in my hands is an all-black Minolta SR101.
Minolta SRT family name on the extremely complex, in short, the initial model for the Minolta SRT101, in 1966 production, is the first application of TTL metering technology, cameras, and an aperture linkage device can achieve full aperture metering , very revolutionary at the time of a camera. After following the simplified version of a variety of enhanced or later, in 1975, produced SRT201 camera to replace the existing market for nearly 10 years of SRT101, the main difference between the two interfaces is the flash hot shoe using the latest technology at the time, replacing cold boots before.While it is in euro SRT201 name, in the Asian market, SR101 naming. But at the moment I had the privilege to use this computer and all-black version, or in the market should be relatively rare. (That's the minolta's heyday, such that there are a variety of leica. Including the classic 1972 Leitz-Minolta collaboration product CL camera. ）。.
On SR101, metering needs batteries, a switch controlled. Full manual control, mechanical shutter curtain horizontal 1-1 / 1000 second, flash synchronization speed of 1 / 60 sec, with B the door. A depth of field preview button, there are self-timer function, iso manually adjusted from 6-6400. .
While SRT101 to data essential to SR101 identical except the Flash interface for the operation of cold boots can also be used to refer to this camera.
It's shutter sound is not light, but he's not quite shock hand, very full mechanical camera feel. Depth of field preview button more feature films never had the time when it is not reflected by, when, after over film, and then depth of field preview button, click, Aperture will be reduced to a set of aperture size for careful observation and adjusted to a suitable depth of field, and click, then back to maximum aperture (in the depth of field preview mode, the meter automatically turns off). Viewfinder for the central microlens focus, are used to split-image focus for a friend first and not used to be, but in fact in practice it is quite easy, and convenient than regular frosted focus a little more accurate.The viewfinder may be due to the early production of five Prism is not large enough (as can be seen from the appearance of its head is smaller), so the photographer's vision is not bright (this is in contrast with x700 for, may not be such a comparison, because the viewfinder x700 too bright). All-metal fuselage production, great feel. Like a solid conservative machine friends, it is more than a touch more x700. Also some more retro.
On the Minolta MC ROKKOR-PG 50mm 1:1. .4, The lens structure 7 5 groups Closest focusing 0. .5 Meters. The lens of the work significantly more solid than the MD version of some of the metal being heavier weight in your hand is also more important than the MD version of these. On the MD and the MC version of the functional differences, mainly to support the MD lens automatic exposure, but MC does not support the automatic exposure (aperture priority exposure, but can support). Used in the SR101, in fact, no difference in MD or MC lenses are used full manual exposure control.In the manual on x700 exposure and aperture priority exposure mode, both of which also is not used, only when you full automatic exposure MC version does not support, it will always take x-700 maximum aperture of aperture priority mode exposure. (Although I believe that most users of the play is to use the aperture priority and full manual mode, and are less likely to use the automatic exposure modes bar ~).
The following uses Minolta SR101 + Minolta MC ROKKOR-PG 50mm 1:1. .4 Samples taken, using Kodak E100VS reversal film shoot. (Circulating slides shot with zeiss fuji, leica with kodak's said, and natural and leica minolta blood more recently, so use the kodak E100VS). .
Camera: Minolta SR101。.
Lens: Minolta MC ROKKOR-PG 50mm / 1:1. .4. .
Film: Kodak E100VS。.
More and more equipment. .
In life.
With looking at their passing. .
Better feed them some film.
Look at their eyes in the world. .
Will start with those from the fuselage in front of the lens of my camera.
About their use of operating on their imaging experience. .
The film is supposed to print.
Shao classmates lent me is to play the G1 + G45 head. .
I had a crazy time to one of the machines, but since I know it is autofocus, the viewfinder does not have macular, Flash a lot less fun. However, because it is called the contax, because it's zeiss lenses, they made me really want to play with it. Finally had the privilege to experience ~.
So far shot a roll of color negative and black and white of all, it bought the paper do not shoot rdp positive. Also such a kind of negative feeling of color, nothing special, of course, and color scanning is a big negative relationship, but I feel the same scan and other machines have no big difference, but the level of black and white obviously more comfortable, compared to I another contax SLR, the camera feels zeiss color more than the feeling of some black and white. The positives have been used in the contax SLR rdp, fuji green in the zeiss lens, very taste, they still want the G1 has to roll over rdp taste of.The so-called shot reverse fuji, leica zeiss used with kodak, I still have a certain amount of sense.
While on the G1 itself, I use down or very unhappy, in addition to more sounds nice shutter sound outside the viewfinder too small Pianan, parallax compensation is not satisfactory, focus slowly, focusing sound terrible storm, because, unlike manual focus there AMD confirmed that the total insecurity do not know if aligned, and switch off easily forget (mainly because of the general paraxial not switch ah), exposure compensation dial to rotate easily mistaken. .
So, I still continue to use my Yashica GSN, until which day to buy Leica M6!.
