Stone Photo Notes - blog bus

Ofra Amit [Israel].


http://www. . Ofra-amit. . Com /. .


★ Flash website.


. .


Bob Barner [United States].


http://www. . Bobbarner. . Com /. .


。.


Alison Bartlett [UK]. .


http://www。.alisonbartlett。.com/ 。.


. .


Michael Bayer [Germany] Michael Beni.


http://www. . Bilderbayer. . De /. .


In German.


. .


Quentin Blake [UK] · Quentin Blake.


http://www. . Quentinblake. . Com /. .


。.


Berkeley Breathed [United States] Bokelibu Lei Side. .


http://www。.berkeleybreathed。.com/ 。.


. .


Christina Bretschneider [German].


http://www. . Peppig-illustration. . De /. .


English page.


. .


Jan Brett [United States] Jane Reed · cloth.


http://www. . Janbrett. . Com /. .


。.


Linda Bronson [USA]. .


http://www。.lindabronson。.com/ 。.


. .


Calef Brown [United States].


http://www. . Calefbrown. . Com /. .


★ 。.


. .


Eric Carle [United States] Jonas · Karl.


http://www. . Eric-carle. . Com /. .


。.


Joe Cepeda [United States] Chaucerian Pi-up. .


http://www。.joecepeda。.com/ 。.


. .


Cristiana Cerretti [Italy].


http://www. . Cristianacerretti. . It /. .


★ Italian Web site, the menu is a bit strange.


. .


Babette Cole [UK] Alba Bay · Kohl.


http://www. . Babette-cole. . Com /. .


。.


Helen Cooper [UK] Hailunkubai. .


http://www。.wormworks。.com/helenpages/hchome。.htm 。.


. .


Rebecca Dautremer [French] seashells card · flower thmei.


http://www. . Rebeccadautremer. . Com /. .


This is still under construction, but because I like very much Illustrator, so also placed here.


. .


Etienne Delessert [Switzerland] de Slusser.


http://www. . Etiennedelessert. . Com /. .


。.


Tomie dePaola [United States] Tom Midibola. .


http://www。.tomie。.com/ 。.


. .


Gerard Dubois [Canada] al · du Cedar shingles.


http://www. . Gdubois. . Com /. .


。.


Sara Fanelli [Italian] Sarah side profits. .


http://www。.sarafanelli。.com/ 。.


★ style very special site. .


。.


Denise Fleming [United States]. .


http://www。.denisefleming。.com/ 。.


. .


Sarajo Frieden [United States].


http://www. . Sarajofrieden. . Com /. .


This is also a building, but what is also very interesting.


. .


Keith Graves [United States].


http://www. . Keithgravesart. . Com /. .


★ Picture is large, and there are also quite a number.


. .


Amanda Hall [UK].


http://www. . Amandahall-illustration. . Com /. .


★ 。.


. .


Kevin Hawkes [us] · Kevin Hawkes.


http://www. . Kevinhawkes. . Com /. .


Flash Web site.


. .


Anne Herbaut [Belgium].


http://www. . Casterman. .com / anneherbauts / menu. . Htm. .


Very cute French website.


. .


Ronald Himler [us], Ned · himle.


http://www. . Ronhimler. . Com /. .


The main part is flash.


. .


Mick Inkpen [UK] Mick · inklin pan.


http://authorpages. . Hoddersystems. .com / MickInkpen /. .


。.


Janosch [Germany] Janos. .


http://www。.janosch。.de/ 。.


German website, there are some small games and other assorted things. .


。.


D. . B. . Johnson [United States] D · B · Johnson. .


http://www。.dbjohnsonart。.com 。.


★ have a complete graphic Henry series. .


。.


Ana Juan [Spain]. .


http://www。.anajuan。.net/ 。.


★ flash website design, quite interesting. .


。.


Svjetlan Junakovic [Croatia]. .


http://www。.svjetlanjunakovic。.com/ 。.


★ English page. .


。.


Maira Kalman [United States]. .


http://www。.mairakalman。.com/ 。.


★ this person in the areas of quite a few buses. .


。.


G. . Brian Karas [United States]. .


http://www。.gbriankaras。.com/ 。.


. .


Karen Katz [us] · cerchez about Karen.


http://www. . Karenkatz. . Com /. .


。.


Muriel Kerba [France] Claudel Keba. .


http://perso。.wanadoo。.fr/murielkerba/ 。.


★ Web site to do a very special picture is also very rich in French. .


。.


Elisa Kleven [United States] 爱丽莎克里 door. .


http://www。.elisakleven。.com 。.


. .


Daniela Kulot [German].


http://www. . Daniela-kulot. . De /. .


German website.


. .


Bimba Landmann [Italy] pimpa · RAND door.


http://www. . Bimbalandmann. . Com /. .


★ In Italian, it seems a number of years did not update.


. .


Alan Marks [UK] Allen · Max.


http://www. . Marksonpaper. . Co. . Uk /. .


。.


Gerald McDermott [United States] McDermott. .


http://www。.geraldmcdermott。.com/ 。.


. .


Jill McElmurry [United States] Jill Morley · Mike AI.


http://jillmcelmurry. . Com /. .


。.


Kate McMullan [United States] 凯特麦克穆 blue. .


http://www。.katemcmullan。.com/ 。.


. .


Paul Meisel [United States] Paul · Jimmy Cyr.


http://www. . Paulmeisel. . Com /. .


The picture is quite rich.


. .


Luc Melanson [Canada] Anson road g · MUI.


http://www. . Lucmelanson. . Com /. .


English page.


. .


Cecilia Mistrali [Italy].


http://www. . Ceciliamistrali. . It /. .


★ Flash website.


. .


Octavia Monaco [Italy].


http://www. . Octaviamonaco. . It /. .


English page.


. .


Eva Montanari [Italy]-ALTANA.


http://www. . Evamontanari. . Com /. .


★ 。.


. .


Gianluca Neri [Italy] Jean Luka.


http://www. . Lucaneri. . Com /. .


★ Flash website, but you can open the picture.


. .


Josef Palecek [Czech] Joseph · pilot Janacek.


http://www. . Palecek-art. . Cz /. .


。.


Julie Paschkis [United States]. .


http://www。.juliepaschkis。.com/ 。.


. .


Cinzia Ratto [Italy] octane xiya.


http://www. . Cinziaratto. . It /. .


Flash websites are a watermark.


. .


Serena Riglietti [Italy] summer Santa Catarina.


http://www. . Serenariglietti. . It /. .


★ Simple flash website, generous in Italian.


. .


Cristina Rinaldi [Italy] tourin.


http://www. . Rinaldiart. . Com /. .


★ Picture very, very big.


. .


Barney Saltzberg [United States].


http://www. . Barneysaltzberg. . Com /. .


There are some games to play.


. .


Ruth Sanderson [United States].


http://www. . Ruthsanderson. . Com /. .


★ 。.


. .


Hubert Schirneck [Germany] Herbert · Silva NIE grams.


http://www. . Schirneck. . De /. .


German website.


. .


Peter Sis [Czech], Peter.


http://www. . Petersis. . Com /. .


★ Some picture book be made into flash, you can turn the watch.


. .


Teri Sloat [United States].


http://www. . Terisloat. . Com /. .


。.


Lane Smith [USA] Ryan Smith. .


http://www。.lanesmithbooks。.com/ 。.


. .


Judy Stead [UK].


http://judystead. . Com /. .


。.


William Steig [United States] 威廉史塔克. .


http://www。.williamsteig。.com/ 。.


. .


Joel Stewart [UK] Joanneum · Stewart.


http://www. . Joelstewart. . Co. . Uk /. .


。.


Melissa Sweet [United States] 梅丽莎史维特. .


http://www。.melissasweet。.net 。.


There are some small game. .


。.


Stefano Tartarotti [Italy] Tatareau Timor. .


http://www。.tartarotti。.com/ 。.


Italian and English. .


。.


Klaas Verplancke [Belgium] Callas. .


　　　　　　http://www。.klaas。.be/ 。.


Entrance to the site to do, quite interesting. .


　　　　　　 。.


Bernadette Watts [United Kingdom] Beini Dai Edwards. .


　　　　　　http://www。.bernadettewatts。.com 。.


. .


　　　　　　Mike Wimmer　[美国] 。.


http://www. . Mikewimmer. . Com /. .


　　　　　　 。.


Ashley Wolff [United States]. .


　　　　　　http://www。.ashleywolff。.com/ 。.


. .


　　　　　　Dan Yaccarino　[美国] 。.


http://www. . Danyaccarino. . Com /. .


我在《鲜氧》第一期里看到了这位俄罗斯纪实摄影师Olya Ivanova。.





places series. .





FACE系列。.








SHOOT THEM ALL series. .


刚才看了他的网站。.


I like his "avella" series. .





《家庭照》（1992-2006）关于孩子和年轻人的比较喜欢。.


Like his portrait series "chikatetsu" (the film reminds me to link the group of metro Nobuyoshi Araki's black and white). .


和《motorini》两组（男女有意无意的眼神特别好玩）。.





Doug DuBois. .


http://www。.dougdubois。.com/。.


His work - no longer a traditional documentary, the photographer can be more active to face all. .


“I got to the point where I couldn’t wait for the pictures to happen anymore,” he said。. “I was wasting time, and so I started making pictures happen。.It borders between being set up or really happening. . There's that fine line. . "..


他的理想——见证奇迹甚至制造奇迹。.


"My photographs are a celebration of life, fun and the beautiful," he said. . "They are a world that doesn't exist.. A fantasy.. Freedom is real.. There are no rules.. The life I wish I was living..". .


Ryan McGinley。.


Original :------。 .


McGinley shoots 35mm film and makes his photographs using an arsenal of Yashica T4s and Leica R8s。.


Yashica. .


《东京日和》—柯尼卡巧思RF。.


Camera description: KOINCA introduced HEXAR RF camera, apart from the quality comparable to LEICA M6 shooting outside, HEXAR RF body also apply LEICA M series lenses. .


影片介绍： 摄影家岛津已喜男想要出版一本摄影集，这是一本献给亡妻阳子的摄影集《东京日和》，藉着这本摄影集，重新去感觉他和阳子之间的情愫与回忆。.





"Love depiction" - Canon F-1. .


相机介绍:Canon F-1是佳能的重要里程碑，是佳能推出的第一套专业系统，凭借着可靠的性能和超前的设计获得市场认可，从此奠定了在摄影行业中的优势地位。.


Video description: "Love Photo" from the popular re-emergence of the Japanese actress Ryoko Hirosue and starring actor Song Tian Longping, two small taste of the taste of love, love the sections strung endless memories. .





《蜘蛛侠Ⅲ》—尼康D50。.


Camera description: D50 is the NIKON released for amateur photographers a digital SLR camera. You can see the movie set of machine D50 strong Oh! Spider-Man can shoot flying too! . .


影片介绍：彼特 过着一个普通的学生生活，在校报担任一名摄影师，暗恋着美丽的玛丽·简·沃森，并经常与死 党哈里。.奥斯本一起到处游荡。.





"Erotic photo" - Olympus mju2. .


相机介绍:OLMPUS推出μ-1的改进型μ-2。和前一代产品拥有更小的体积，μ-2却用了更为强劲的35/2。.8的镜头，为了更适合高水平的摄影，它甚至增加了点测光功能。.


Video description: 30-year-old photographer Kelai Li talented, just published two book of pictures had become famous, but Kelai Li has been unable to find a man to love her. .





《皮囊》—禄来双反相机。.


Camera description: 50 years launched a number of different camera models listed, that is a golden age of dual. The Rollei is a dual dual camera of the best, with a Zeiss lens 2. .8 F is the Need of the best. .


影片介绍： 本片改编自帕特蕾西娅·博斯沃斯的传记小说，描绘了活跃于60年代的女流摄影大家--黛安·阿巴斯的传奇半生。.





"Closer" - Hasselblad 503cw. .


相机介绍: 作为一部高级中画幅照相机，哈苏503cw设计精巧、坚固耐用。就其体积及重量而言，它在同规格的相机中都是比较小的。.


Video Description: video in London, described the complex between the four characters, tangled relationship. A nondescript in the four corners of love between the hero started. .





《只是爱着你》—佳能AE-1。.


Camera description: Leica M solid mechanical systems can meet even in any environment on durability have the highest expectations. .


影片介绍：濑川诚人进入大学，背着相机独自在校园周围闲逛。诚人遇上正要横穿马路的女孩，女孩孩子气的神情令热爱摄影的诚人不由自主地举起相机按下了快门。.





"Battlefield photographer" - Canon EOS-1N. .


相机介绍:“有钱买1N，没钱也要买1N”，当年色影无忌的创始人Xitek说出了这个“奇谈怪论”。佳能也只有1系的机器，才能让你感觉什么是顶级的机身。.


Video description: Follow internationally renowned photographer 詹姆斯纳希 micro-depth field artillery forward all over the world shooting a valuable documentary field. .





《无主之城》—尼康 F。.


Camera Description: Nikon F, Nikon system cameras to create a precedent, Nikon F-axis side from the early series of evolution, can replace a number of accessories, the most important is that it can replace the five edges viewfinder, rise to a variety of models. .


影片介绍：“火箭”机缘巧合下成为了杂志社的见习摄影师，他的相机，照下的却是孩子们持枪核弹的狰狞，和帮派间无休无止的仇杀。.





"Vertical Limit" - Nikon F5. .


相机介绍: F5为尼康公司出品的专业级别35mm单反照相机，在各种严酷的环境条件下仍然能保证稳定的性能。.


Video description: This is a disaster action film full of passion, a group of climbers scale the world's second highest peak in the - K-2 peak, the unfortunately caught in a "vertical cave" - a big snow mountain edge cracks in. .





《蜘蛛侠Ⅰ》—佳能NEW F-1。.


Camera description: The new 1981 F - 1 (NEW F - 1) re-debut, the well-known professional machines Nikon F3 bravely challenged. As a professional camera, the new F - 1 of the fuselage shell thick 1mm. .


影片介绍：彼特被一个转基因蜘蛛咬了一口。不久他发现自已具有了非同寻常的能力：他成了一只力量超凡、身手敏捷的蜘蛛，并且还具有敏锐的超感知“蜘蛛感官”。.





"Spy Game" - Leica M6. .


相机介绍: 徕卡M的坚实机械系统，能满足即使是在任何环境中对耐用度都有最高的期待。.


Video description: The CIA officers Nasenmoer (Robert Redford ornaments) and his partner Tom Bi Xia (Brad Pitt decorated) two are always together on a mission around the world highlighted the danger. .





《假发》—尼康F3。.


Camera description: standard Nikon F3, Precise frame coverage shows virtually 100%, such as the film's images. Clearly visible in the liquid crystal display (LCD) exposure readings outside the frame. .


影片介绍： 一部很“残忍”的电影，很难找到更多的资料。不过从这些剧照里看，在这里照相机成为了杀人凶器，有的时候真的不禁会觉得日本电影是很血腥变态的！。.





"August Photo Gallery" - old-fashioned landline. .


相机介绍:这家照相馆是他从父亲手里接过来的，因为父亲上了岁数，视力跟不上，所以就把照相馆传给了郑原，连带的还有老式的照相机。.


Video description: Song Yong Yuan, is an ordinary little guy but terminally ill, have an elder sister, father, dead mother and girlfriend left him. He also has a small studio - Yong Yuan studio. .





《旺角卡门》—尼康F2。.


Camera description: with metering the top of the NIKON F2, is the NIKON F after the following has a large professional SLR camera. Has a strong body and a variety of accessories. .


影片介绍：王家卫跳出潮流一鸣惊人之作。.





May 23, 2008 Epson Color Imaging Contest, Exhibition opened in Shanghai. Renamed "New Horizons Competition Epson" in the same period in 2009 race start. .


2009年爱普生彩色影像大赛将在中国大陆迎来一个崭新的开端 – 爱普生新视觉大赛将首次在中国大陆独立征集作品，独立评选，设立爱普生影艺坊之星奖一名，给予50000元的艺术创作奖励，另外，我们还将邀请国内摄影、设计以及艺术领域五位专家组成评委，设立5名评委提携奖，奖金各10000元。这将成为国内同类赛事中奖金额最高的比赛之一。同时，对于优秀的作品，还将在日本的评选中再度参与角逐。The new Epson new vision contest, "allowing us to break horizon" as the slogan of freedom of artistic creation as the goal, as the overwhelming majority of Chinese artists, photographers, designers and art lovers, the stage of a dream come true . Deadline for the September 30, 2009. .


__________________________________________________。.


epSITE Shanghai. .


#50 Moganshan Rd。. Bldg。.7, Unit 106。.


Tel. .: +86-21-6266-9191 Ext. .101. .


Fax: +86-21-6227-6563。.


Cell: +86-138-1892-6169. .


_______________________________。.


http://www. . Epson. . Com. .cn/CONTEST2009/index. . Html. .


————————————————————。.


I just call their company: that the domestic competition, participants have the opportunity to go to Japan; if domestic no prize, but interesting work, but also to the Japanese competition and the chance to go to Japan to be reward. .


这个是一个相对自由的活动。所以，朋友们，冲啊！。.


Chuan Neilun an interview with - from the Copenhagen Museum of Art 2009-02-16 21:54:51: watercress Chuan Neilun sub group translation: Rea. .


你是什么时候开始学习摄影的？ 　　 　　 。.


I am in a two-year college class, photography class every Zhouyi Tang is my favorite. . .


当你进入学校的时候有想过要成为一个摄影师么？ 　　 　　 。.


No. I went to art school to study just because I think art can be every day of the course will be very interesting. I study painting and design are very interested in images. But I was most interested in photography. . .


你刚从学校毕业的时候是做些什么工作的呢？ 　　 　　 。.


I am an advertising company in the photography department of the year, then in Tokyo in a rental studio as a photographer's assistant about a year and a half. The first year I spent most of the time to take photographs, sorting and doing the work of art. The experience helped me learn a lot of technology. Others work for about three years later, I decided to be a freelance writer. . .


你作为自由摄影师为广告摄影多还是为杂志拍照多些？ 　　 　　 。.


In the beginning I was more advertising photography, but I also have many different types of clients, including magazines. .


　　 　　 。.


You first published is UTATANE, HANABI, HANAKO three photography book trilogy, you, as a commercial photographer to use any free time to do your own creative project? . .


恩，有时候我在工作之外的业余时间做我个人的项目。有的时候我工作时也会拍摄任何抓住我眼球的东西，在任何情况下我总是随身带着照相机。.


. .


你会用和工作不同的方式去拍你个人的创作么？ 　　 　　 。.


I always asked this question. When I take pictures, either work or do their own thing, means are the same. But when I select the photos and mix them, I would seriously consider the ways and occasions to their shows. When doing photography, and sometimes I have to take some good things in the studio prepared, or should I mention this is my personal work and not the same thing. I do commercial photography in the time, there will be more clear in my mind the intention. But even in doing commercial photography, I will find and take pictures as usual perceptions and feelings. . .


在你拍照的时候，有什么具体的计划么？ 　　 　　 。.


This depends on the photo series. Overall, in my mind there is a potential book. In doing UTATAME this book, I shoot things that shake me. In the film HANABI time, I have very specific ideas, conscious search for the Japanese summer fireworks display the time and place, I want to shoot from many different perspectives fireworks. When I shot the brain is always thinking about the program established: from the hotel room looked out of the picture, image, etc. on the highway. And then again when I want to publish themselves layout. .


你拍照的时候在想些什么？ 　　 　　 。.


Basically what I try do not want to. . .


就象那些运动时什么也不想的运动员一样？。.


Sometimes I think I take pictures. But what good pictures are always in my state of thought also shot, his head empty time. Of concentration when I did not feel. I think this and "RUNNER'S HIGH" like. (* "RUNNER'S HIGH": exercise orgasm-like state, is that many athletes have the experience.). .


在你排版的时候也有一样的感觉么？ 　　 　　 。.


When I was finishing photo, I always thought to how the image together, at this stage my heart and body are working together:) It is sometimes difficult to find a unifying idea to picture, but After several days of drying photos and reflection, the ideas will always appear suddenly. . .


每个人都说你有一种独特的光线捕捉方式，你怎么想？ 　　 　　 。.


Not consciously do it. . .


有的时候你拍照时刻意的直对光源？ 　　 　　 。.


Atmosphere and the light is for me very important. When I take pictures of straight at light, I try to capture not just the object itself, but the current atmosphere and spiritual interest. I think this is why you will feel very special because I run out of it. . .


在你的作品中，你总是寻找一些关于生和死的普遍主题，这个主题对于你来说特别重要？ 　　 　　 。.


When taking pictures I do not think it takes a conscious thing. When I select a photo and put them to form a series of time, this atmosphere will suddenly appear. For me it is a very important process, and photographed as important. In this step, I would be very cool and objective look at his work. . .


在拍照的时候会有某个时刻你确定自己在拍一张好的照片么？或者是在冲洗照片的时候忽然为在自己的作品中发现的东西感到惊讶？ 　　 　　 。.


I like to wash in the photo when the photo to see something special. Always some time to see the photo because of some he never imagined he would be surprised to find things. . .


当你把照片冲洗出来后，你重新整理他们然后再决定怎么将它们组合成一个系列？这可以被看作照片的一种编辑方式。 　　 　　 。.


Sometimes I do not think it would be better to do instead. If you select the photo and how the combination of the last they will be arranged like too much, the result to be too structured, too traces of man-made portfolio. In this process is always difficult to make proper judgments. . .


做摄影画册和做展览有什么不同？ 　　 　　 。.


The biggest difference is the album can be held in the hand. It will therefore be a more intimate level of personal awareness and understanding the go. Photo exhibition displayed in the white box. When you schedule a photo album at the time, must always remember that you flip the order and manner with the view of it. When looking at the exhibition, the most important is the space and its structure. These are two very different way of viewing photos. .


　　 　　 。.


In your show, you always put family photos presented as box-like in a small room inside. If possible I want people to see me in a small space photos. This approach will enable the public and my work even more closely. . .


这种观展体验也会因而变的与看摄影画集的感觉更相似。 　　 　　 。.


Until now, my main effort is still on the publication of. This may explain why I hope people can use to see my way closer to work. Even though I know works on display in the large space has many advantages, but I think more suitable for small space. For this reason, I always have to make sure there will be a small space allows people from the more intimate and personal level to appreciate my work. I was in the exhibition ART TOWER MITO set a small space called confession room, this is a good explanation. . .


它象一个教堂？ 　　 　　 。.


Ceiling height and the way sunlight shines into the room all affect it. When I take pictures, I feel the same atmosphere. When people look at my pictures, I hope to create a quiet, private and intimate space for people to listen to from their own inner voice. . .


在你还是个孩子的时候你对什么有兴趣？ 　　 　　 。.


I am not a very happy child. I am very depressed. I do not like school, always reading, but not a great book, but the wizard stories, children's picture books, novels for young women there are in the world literature. .


　　 　　 。.


What you really like to read? . .


我喜欢书。即使我不明白里面的内容，仅仅是拥有它们我也会很高兴。我爱图书馆。因为学校图书馆里的书很少，所以我经常骑自行车去大坂的TSURUMI WARD市政图书馆。我喜欢在图书馆中什么都由自己。 　　 　　 。.


Or when your child seen any photographic art collections, What? . .


是的，当我在初等学校的时候看过藤原幸也（SHINYA FUJIWARA）的《美国赌轮盘》。我不明白为什么他给这本拍美国的摄影画集起一个这样的书名。我试着去读后记，但是那对于我来说太难懂了。我也看过他的《MORI的纪念品》和JOJI HASHIGUCHI的《十七岁》和《COUPLE》。我也对自然书里的动物照片很感兴趣。我记得我对JOJI HASHIGUCHI《COUPLE》里的文字感到非常惊讶。I also see OSAMU HASHIMOTO and SEIKO TANABI. Once, a very young librarian told me I was too young to see these books were not suitable. I do not care to read them, although I do not fully understand. . .


你特别尊敬的摄影师是谁？为什么？ 　　 　　 。.


I respect Japanese photographers have kyoji takahashi, Toyohisa Araki, Daido Moriyama, Takuma Nkahira. . Europe is a photographer Boris Mikhailov. . I also like Wolffang Tillmans's work. Usually I respect all photographers. . .


有什么人影响你么？ 　　 　　 。.


Many people, Banana Yoshimoto impact on my mental part very much. I have also been influenced by the works SATORU SATO, he is a very good children's illustrator. . .


在年轻的艺术家举行自己的作品展览之前，他们想公开出版自己的作品是非常困难的。这件事情在日本相对容易些。你对这种机遇的不同是怎么想的？ 　　 　　 。.


Publishing the book was my primary objective. For me this is much more important than the exhibition. Even when I know that my work can not be published, I did not consider many, until I complete the photo finish, so they all become combined. In my first book published until almost six months every time I do a hand on his own book. For me, before entering the next phase, the uniform composition into a series of photos is very important. I think the exhibition can be a reward, not an end in itself. I think if I can not publish my works then also continued to produce their own books.对于我来说，用书这种形式来展示自己的作品比展示作品本身更重要得多。 　　 。.


. .


在日本你同时出版了三本书，你的状况有因此而改变么？ 　　 　　 。.


This incident completely changed my life. Because the means I now become a artist. In Japan, only after the publication of a number of things people would describe you as an artist. Relative to the exhibition, the people pay more attention to your publication. In the Annual Kimura Prize winners choice, they consider the published work. . .


在这个展览中，你会展示AILA，THE EYES`THE EARS，CUI CUI这几本书里的作品，这些标题是什么意思呢？ 　　 　　。.


ALIA from Turkish, meaning "family" or, more broadly, a "relationship" means. THE EYES `THE EARS is our five senses can catch things, not just the eye can see, there are ears to hear and the touch of skin. . .


。.


The ALIA this book not only discuss the life and death issues, there are many everyday life scenarios, why did you choose these photos on the inside this book? . .


If I do not select these everyday scenes, the series would be unrealistic. I joined these details in order to make the day-to-day reality more clearly. The result is that the series will become more interesting.


Why did you choose CUI CUI as the book's title? . .


When I see this exhibition held in France, I see a French dictionary. There are a large number of languages in the bird call entry, in Japanese is "CHUN-CHUN" in French is "CUI-CUI", there are a number of levels. In these words inside "CUI-CUI" sounds lovely, but "CHUN-CHUN" too familiar to me. Because this is a book about my family photos, so I don't want it too heavy. In this scenario, the "CUI-CUI" is a very wonderful and appropriate titles. ..


You take your family how long the? . .


Almost 10 years. My family really is a very common family. Although all the family will have some dramatic happened, but in the CUI-CUI "there I don't want to focus on these areas. In this group of pictures inside is not showing any particular dramatic thing. I hope that these things can be in any one of the family. Therefore I avoid to go against my family those special or personal in nature. For me, these are like sparrows cry as small without significance. People to death, survival, marriage, divorce ... ... I want people, after seeing my photos will re-examine their family. However, the process of sorting the photographs is very difficult. . .


。.


What to you is difficult? . .


I try as much as possible the objective, but it's really very difficult, because they are concerned about my own family. I found that in order to render something meaningful and into your publication, it must be more than just a personal family photo album. I hope to do an instinct to make people reflect on their own family book. More generally, I hope that it can play a role of a catalyst, to allow people to think for themselves, their relationships with the world. ".


Many of the photos are the size of 6 * 6, Is there anything special meaning Why? What kind of camera you use? . .


I am using double-reverse ROLLEIFLEX camera, it takes the photo is the size of 6 * 6...


You use the other camera What else? . .


Sometimes I'll use HASSELBLAD6 * 6 and CANON a1, F1, KYOCERA T Proof (; Japanese version, internal name Yashica T5), a small camera; PANON WIDELUX, a panoramic camera. I would also like to use from now on your camera. 4 * 5.


You do commercial photography and filming their works will use different equipment Why? . .


Very low, I can judge what kind of camera. But I carry the camera is not changed. When I go to do outdoor shooting, it is always a small luggage for me as a surprise. I'm about a year ago has just bought a small suitcase, I usually go with a small camera bag and a rucksack. Even the tripod, and I have only a very small...


I believe you will be held in a growing number of exhibitions abroad, you feel about that? . .


For so many opportunities I am very thankful. I have explained before, which for me is a kind of bonus. Works can be seen by many people, I think I was very lucky. I'm after each show are more serious and stability.


+++++++++++++++++++++++++++++++++。 .


(Note: the red part is my current concerns or feelings).


"When I shot a man, I want to describe is not one individual, but a lens with the shooting posed by space objects.". .


?How to love life ' video camera for your first photo album pictures.


Leica Black text transferred from the Chinese station. .


Red is my personal opinion on everyone.


"An album, is the starting point is the process, but also pictures of the end - just like making a movie or do a show, it is important is not the length of the length, but the story you tell." -. .


Private photo album has always been very concerned about the topic, and also had to introduce a Blurb on two very typical private photo album birth story, although the country has not worth recommending personal album custom services that already have friends around to start thinking about their own works, such as the lovely veeka meimei, there have been a lovely little book — the veeka'life ", well, we want to create a new column dedicated to introduce domestic private photo album?.


Interested in this section students can send Email to us (lancelot23 @ gmail.. Com), chat about your idea. .


To make a copy of your own photo album, interested students may wish to first read the following five small Tips that tell you how your first photo album ready for the most important content--your photos.


』『 Have Fun is always just taken pictures of most interest to you. .


In 98% of the time, only to shoot your shot photos, only the records you are most interested in photos, wanton pleasure to enjoy photography; as long as the remaining 2% of the time, consider the following four Tips that will make your favorite photos are better suited to become an open book to be sleeping.


(My experience: some people start and did not find your favorite photos, that's nothing, you can edit the film to find out when a bunch of photos you are interested, if the photo is not enough, we continue to take you to find out - - perhaps that is the subject of a book later.). .


' Details ' details, simple is beautiful.


Nothing is a more detailed scene photos to show you a unique observation, a simple and neat photos easily into the series, and very convenient to fill in the blank album pages, and even can be made into a beautiful Photo Mosaic. .


(My experience: unless you are the details of shooting, remember that details the equivalent of a blank page, is the finale of the inserts, truly dazzling or theme itself).


Right Camera 』『 choose the right camera. .


Generally speaking, the size of the photo album closer to a square rather than a standard book size, so you must take into account the fact that the average digital SLR photographs often require a reboot before you can use to crop the pictures; 4: 3 or 6 x 7 medium format is suitable for a little left side of the album; if you happen to have one can take the 6 × 6. Rollei 2 .8F, it's the perfect photo album recording tool.


(My experience: This I feel I can with my personal views, publishing many ways, especially the works of individual editors, can break the normal size format, so your photos can come from real hands, often a device will change his attitude and style). .


' Step Back A Little ' step back.


Composition, the normal shooting step back and leave some for your photo later cut the space, will greatly enhance the photos in the album layout in efficiency, high-pixel digital camera can help you have more post-processing possible. .


(My experience: I'd never thought).


Think Big 』『 more complete idea. .


Your photo should be able to reflect a complete story, for example, take a friend's birthday party, in addition to the details of the cake and party portrait of a friend, you need to be taken into account in time and space on the "General" shooting scenes, for example, before the order of the party and the party after a fine mess of joyful, owner of the photo, etc..


Preparing their album should be a happy and full of things that look before snapping the shutter any pressure on myself other, very often, the most natural is the most important. .


(My experience: measure twice, cut once, if you want to do, just stick to it, and I enjoyed is the edit own work set the happiest of procedure).


I like to move family to think about taking pictures is not to demand perfection like to ask and answer questions but the process is very short and could have answered the timing and storytelling to fully fill the imagination with a good question is not easy to come floor more difficult because of the difficulties and wonderful found joy Why not previously been answered after the works. .


Wonderful depiction inconspicuous things.


3rdrock said:. .


Do I go to the contact group books.


Zhu Li, said:. .


Notes book?.


3rdrock said:. .


The group originally I and K in the chat to make everybody works series of books or magazines, but unfortunately no longer willing to assist us in the eye.


3rdrock said:. .


So the King said to myself like Zhu do raise money to sell books.


Zhu Li, said:. .


Last year I do you like it!!!.


Zhu Li, said:. .


I think one person, one volume.


Zhu Li, said:. .


Do another book.


3rdrock said:. .


It is.


Zhu Li, said:. .


But to buy my books one half are your own person.


Zhu Li, said:. .


And I also sell 75 this only.


3rdrock said:. .


We start our talk about is the one book and put it in your editor's notes in the name of a book.


Zhu Li, said:. .


Now there are 25 didn't sell.


3rdrock said:. .


Then you back.


3rdrock said:. .


If you cannot return to us will be able to do.


Zhu Li, said:. .


This is the back.


3rdrock said:. .


You what is the cost per copy.


Zhu Li, said:. .


And if you are printing, the lower.


Zhu Li, said:. .


I printed a 50 no..


Zhu Li, said:. .


I asked, if the same specifications, printing, a book as long as 25.


3rdrock said:. .


Really!!!!!.


Zhu Li, said:. .


This is the price of 100.


Zhu Li, said:. .


If more words are also lower.


3rdrock said:. .


That's great!.


Zhu Li, said:. .


When I was in India and I didn't expect to print 100, beginning just want to print more than 10 months, so I didn't look for printing.


3rdrock said:. .


You can consider.


3rdrock said:. .


You agree that we have made the dialogue in my another blog you let the past like friends and join friends to look at the exhibition.


Zhu Li, said:. .


Good Ah.


3rdrock said:. .


And I meant it would also be able to interview you or we give commentators interviewed us so you can find each other in a timely manner, concluding their own.


Zhu Li, said:. .


I was afraid it was like with this exhibition.


3rdrock said:. .


It simply works without talking about.


Zhu Li, said:. .


Those of us who actually have really short stated capacity of the text.


Zhu Li, said:. .


No consciousness.


Zhu Li, said:. .


It is not necessary.


3rdrock said:. .


Good.


3rdrock said:. .


The photo has its own language so that it is confident.


Zhu Li, said:. .


Well actually, maybe it is really lacking.


Zhu Li, said:. .


Just feeling, it is difficult to systematically.


3rdrock said:. .


On too emotional and sometimes wheel language.


Zhu Li, said:. .


And to discuss photo needs a relatively similar background premise.


Zhu Li, said:. .


Otherwise the position is very difficult to communicate.


Zhu Li, said:. .


Also works without significance.


Zhu Li, said:. .


Creation is likely to be narrow.


3rdrock said:. .


In addition there is a problem very tangled I..


Zhu Li, said:. .


But it is very difficult to passive changes.


3rdrock said:. .


The other day and he MEMO chat is very worried about the overall interests of the members if such individual is easily ganged up collectively do not necessarily reflect submerged.


Zhu Li, said:. .


This is the unavoidable Ah.


Zhu Li, said:. .


Is natural.


Zhu Li, said:. .


Who will do the collation.


Zhu Li, said:. .


Even if our own deliberate alienation.


3rdrock said:. .


Or maybe I had.


3rdrock said:. .


Cannot consider the audience too.


Zhu Li, said:. .


Each age has power.


3rdrock said:. .


HAHA we resort to.


Zhu Li, said:. .


I am only concerned with whether the expression was completely its own line.


Zhu Li, said:. .


Other can't think.


3rdrock said:. .


To tell you that my ideas may only relatively pure thoroughly.


Zhu Li, said:. .


I always feel that this is a private matter.


Zhu Li, said:. .


The so-called for its own services.


Zhu Li, said:. .


Even if my heart and spirit of the vulgar.


Zhu Li, said:. .


People also cannot be intentional virtuous.


3rdrock said:. .


This is the instinct is needed.


Zhu Li, said:. .


People also cannot be intentional virtuous.


3rdrock said:. .


This is the instinct is needed.


Zhu Li, said:. .


En.


3rdrock said:. .


I sent out to ask everyone views.


3rdrock said:. .


Do you think of self-funding did it rely on spectrum Mody.


Zhu Li, said:. .


What is the goal.


3rdrock said:. .


I want to do a magazine is a communication platform.


3rdrock said:. .


These exhibitions or there are some people who did not participate in it is existence could explore the meaning of existence and future.


Zhu Li, said:. .


The research is to promote or?..


3rdrock said:. .


Promote to others.


3rdrock said:. .


Research for themselves.


Zhu Li, said:. .


The issue there is no meaning.


Zhu Li, said:. .


For me, there is only one issue is survival.


3rdrock said:. .


Therefore, there is another approach to PDF.


3rdrock said:. .


It's just that I feel more at ease book entities.


Zhu Li, said:. .


The other is a disguise..


3rdrock said:. .


Feel good.


Zhu Li, said:. .


Then do some on the line, they commemorate.


3rdrock said:. .


What do you think that if you want to do what we do best.


Zhu Li, said:. .


I think, to promote the generous promotion.


Zhu Li, said:. .


To survive in order to survive.


Zhu Li, said:. .


Academic exchanges we can communicate in private.


Zhu Li, said:. .


Do one thing, it is promoted to the person you like.


Zhu Li, said:. .


Some people love to do, some people love to watch, very harmonious.


3rdrock said:. .


I would like to see on your right.


Your comment is important to us:. .


33 comments?.


That when the order should be no problem. .


You done your duty and, a good job!。.


Comment by kione - 4 月 13 2009 @ 10:40 pm. .


Concerned with too few participating photographers blog and works.


From the wording of this preamble sincere and undisguised questions can be seen, you work at least for exhibitors and photographers were better than "familiar" knowledge. .


"This film festival, it is a declaration, or simply just a party?".


"These spontaneous photography, how to transition into professional photography, and even the need to become a professional photographer?." .


Hope that the exhibition will be able to benefit, in the hope of participating photographers can fire off to find some answers, final wishes this preface to truly become the exhibition on the final version!.


Comment by boni - 4 14, 2009 @ 1:35 am. .


Has long been seen here is an article in the exciting! unfortunately short bit, find the opportunity to discover it as big young lady!.


The middle of the road ... ... ho ho ho ho. .


Comment by white gourd — April 14, 2009 @ 1: 53 am.


And "inappropriate to preface" than I am more inclined to choose who is the curator of the inappropriate introduction. .


The other, it seems to me to have pierced bleeding.


Comment by Lee - 4 14, 2009 @ 2:50 am. .


Thank you ren wrote again.


Comment by Bage Xi - 4 14, 2009 @ 4:16 am. .


"In my opinion, the so-called" art photography "with only two roads, or a pure and institutional rupture, innocent, sociopath, will always be the" amateur "; it is a system of collusion, the so-called active in promoting their own professional artists. This is no middle ground in between.


On the other hand, the reality was that the focus is documentary photography. I do not think so. Artists get pins and needles in the world, and expose the lies of this world. Moma three fan looking william kentridge exhibitions, political, human nature, greed, inequality, crazy, I felt a little wobbly, to cry. Artists may also bundle their own, but also bar Dehen, bleeding must be binding to. In between, there is no middle ground. .


A true artist is crazy, paranoid. Solely for the purpose of the ideal life. ”。.


Real text! Deep! Xie Xie Renyue reminder to me. .


Comment by wake — April 14, 2009 @ 8: 44 am.


What a cool look at ah! . .


Comment by Wang long Liang — April 14, 2009 @ 8: 58 am.


A teacher, and finally to your discussion, etc.:) Thank you for your interest in this exhibition. I wrote this foreword inappropriate, we must first declare that I mean, exhibition curators and other people not related, I believe that all they have their views and reasons. Why are these people such as exhibitors, these non-professional purposes Why purpose of photography, then what in the photo film, this exhibition is a landscape rather than why the other, what their differences, I think, all should In the audience there to see the exhibition before the general impression.I think your article's comments as nothing better after a visit, as the preamble, the curator's introduction to and ask so many questions, if I is replaced by the audience, on unknown circumstances, with these questions go to the exhibition, the result will only be more confused now. This is what I say does not fit the original meaning. As the comments, I really like your articles of those questions and comments, which several dozen years have done and what they change, since the non-professional purposes, uses professional artists of the standard they are not appropriate. You said the way the two middle of the road there are other possibilities, such as the possibility of what might be a start a discussion was to discuss the exhibition and the opportunity to be heard, we all crazy in the process of looking for the answer is not it:). .


You are in the preamble and the response to the constantly reiterated the tumultuous reality and worn as a sieve-like world, China is not only a reality, why the city person will certainly pay attention to this reality, our investment, siwanyi outer ring after the bulldozer is a kind of reality? while we wait for the verification of wuguang self interest, who is going to focus until the reality and the reality of why the silence is not a realistic? how do regardless of the environment, it ultimately jiangshan will each hobgoblin, projected on the objects in a river, an ordinary man on his way home from work, go to the met's scenery, who rode a motorcycle grazing of cattle herders, residents of the three gorges of the Yangtze River to trance, like the ocean-like wood factory, in the reservoir is not a reality? . I think they do not escape, but jumped out of the news network and focus interviews, jumping to third acre addition to the door, to focus it more realistic. .


There are also discussions join http://www. .douban. .com/group/topic/6014834/.


Comment by eris - 4 14, 2009 @ 9:06 am. .


To eris Hei Hei.


"I think your view of this article as the comments after the show could not be better, but as a preface, in the curator's introduction is not clear based on it, ask so many questions, if I changed to the audience, in the original the unknown cases, with these issues to see the exhibition, the result would be more confused it. ". .


Yes, I mean it. Because in fact I did not participate in the exhibition, so I should not speak to the participants.


Also, I said these words, or against someone of you. But rather try to discuss such a group. .


I said, is not a sharp photo style, or anger. It is a matter of attitude. I say pay close attention to reality is not necessarily a documentary or is poor. You should be aware of the reality in your heart.


I looked to watercress. However, I am not used to so many discussions with others online, because the network is to demonstrate the views of the place, is not disputable. And everyone has their own perspective, but also has its own judgments. I think we put it all makes sense. .


Comment by Yuet — April 14, 2009 @ 9: 17 am.


I know:) We all hope that this point of view a little more, to see more point in more than 1416 Chinese photographers. .


Comment by eris — April 14, 2009 @ 9: 37 am.


Ah,, I said a few points less than the Department asked a teacher who criticized the correction. .


1, I like this article, "description", the lapse of time between the lines, full of industry veteran teacher for younger ardently, or into steel, incorporates those look foreword or rewarding, at least for today's people of our generation of photographic work difficult to understand much more thorough;.


2, but I say, there is truth in fact everyone knows that this generation of photographers is shrouded in the kind of helpless people who are too thick and aphasia, a compromise worth mentioning escape worth mentioning that these actually are not voluntary, but this system as well as external factors such as these and their own strong reasons given by the characteristics of this generation. .


3, but also to think so, from another perspective, these "sticky" scenery of unknown attitude also has its own unique charm and, on the surface, these scenic photos has a social component degradation, but in fact these photos hosted social meaning more deep, the sewn stitch is invisible from the surface, these photos negative boring, but in fact these photos behind the disclosure of information is a positive and there is a kind of "substance" of the landscape (although, in contrast, "nonsense" and "scenic" will I have a sense of well-being, well, I finally managed to resist the temptation to "landscape" and the word was with a quotation mark).


4、试问一下，指向模糊、暧昧、“尴尬的”、“粘稠的、态度不明的”等等这些，难道不正是我们这个国家的“国家风格”的真实写照吗？不正是当下国民的集体潜意识和生存状态的真实表述吗？“关注现实就是纪实摄影”这点我也不同意，因为就上面这个角度而言，这些“风景照片”正是绕过了“纪实摄影”这道仿佛绕不过去的坎而真正做到了“关注现实”（呵呵虽然我并不完全认为关注现实就是艺术家天职，但我无比尊重那些真正秉承这一摄影理念的牛逼的摄影师），用体制所赋以我们这一代的特质来对这个体制下的风物进行表述，从一个侧面来追问这个时代的外在症结乃至民众的深层心理，我认为恰恰是这些作品的独到之处，这可能是一个希望通过一组精神病人、街头艺人等等这些“关注现实”的照片来拯救这个“破烂如筛子一样的世界”的摄影师，或者一位玩命扎自己希望扎出大把银子来的“艺术家”所鄙夷的，但也正是他们所无法理解的，从这个意义上说，如果说这些照片中有逃避和无奈，那也恰恰是一种珍视未来、正视自己内心和我们生存现状的、迎面而上的逃避和无奈；。.


5, "When you put these photos out when the exhibition through a gallery, they decided they were not shot himself, and that viewers should be who?" The statement good question, both sharp and very realistic, I like over and over again into a home "gallery controlled by economic interests" issued by my question is simple, according to the contents of these scenic "China", the audience or "China." I always think so, the photographer works to raise questions by the audience free to choose to answer or silence, and the language style "remains unknown" also help to broaden the dimension of the audience;. .


More than 6, as the first, second, as the teacher would say this generation and the plight of photography and of course I recognize that this is one of our own problems there are external factors imposed, but use the "get the needle pierced through the world, the world of lies" to request a group still in art and life, "pseudo-artist," and "professional artist", fantasy and reality of these niche photography person are too high or too eager?.


7, the declaration? Or "or merely a party?" I tend to be a rare gathering, but looking through the history of art will find a comfortable, like-minded parties is often a declaration before the show;. .


8, "the photography, how can you turn to professional photographers, even if it is necessary to become a professional photographer?", (and although I do not agree to these works is a kind of "spontaneous photography", more precisely, these works have entered a "conscious" of photography), I, or that we often ask ourselves, so far there is no answer, perhaps this is also the reason why these scenery "unknown"; one of the reasons why.


9, final statement, the above words are all I mean, and independent of other photographers. .


Comment by Zhang Yuan — April 14, 2009 @ 9: 51 am.


If the Chinese could go out and personally meet a real crazy, paranoid. Solely for the good works of those who survive, may be able to understand this grinding mill for their own little emotional chirp on film, What kind of things, work through the network to see the hundreds of K of the pixel is like in the zoo to see lions and lion in the African savannah to see the difference, too safe, too easy ... ... so no power. Can mimic the surface of things, power is not to copy, and only installed! ! ! ! . .


Comment by hxx — April 14, 2009 @ 10: 24 am.


Agreed to a teacher's point of view, spoken out. .


More like a friend of a party, to make known, but I couldn't have done show. do a hash join; plate, but also the same dishes.


But round one, try always good. .


Comment by rossi — April 14, 2009 @ 10: 29 am.


Xie Xie Zhangyuan visit. Preceded by a teacher (after I get a new web name of person to consider honest - Pinyin can play out) completely personal meaning behind that, too cautious. In fact, it does not matter. We speak possible choking odor, but that does not mean that we in the fight. .


In fact, I write this "inappropriate", eris and members of a different opinion. Because it doesn't fit my own feelings, as you mentioned-on-tone and so-called "expect" is too heavy. Contrary to the film festival in each of the individual photographers. Placed in the preamble which may not be able to see the photos from the context.


You clear 'picture' of the explanation makes sense. Landscape may be unknown, but the attitude can not be unknown. If the creators of the existence of such subjectively: a negative against the negative, to helpless against the helpless, conferred with the system to the characteristics of this system to be expressed under the scenery, then I have to applaud for you. .


In addition, I am in the articles listed, also to kink my long, I cannot answer. However, we all can take to answer. In fact, or you can not answer, because if you have a direction, you can go your own way, this is a kind of answer.


Comment by Ren Yue - 4 14, 2009 @ 10:50 am. .


Not so hard.


Comment by cold jokes - April 14, 2009 @ 11:21 am. .


As the new generations in the face of this word. Look forward to more in-depth discussion.


Comment by little rookie - 4 14, 2009 @ 12:06 pm. .


Modern photography rules of the game is the "King of the Hill", a group of people making the sound that is large enough. Winner of course King, defeated no big loss, claiming to be entertainment,:).


Comment by maogua - 4 14, 2009 @ 12:52 pm. .


Also entities Salon Bar maybe China South of Magdalena from these people is why walk along the Western context? real artist should have its own field.


Comment by Aaron - 4 14, 2009 @ 1:53 pm. .


Is that IM happy teacher. Back wall.


Comment by 663 - April 14, 2009 @ 3:25 pm. .


From one consciously or unconsciously long-term exposure to this group and the work of the blog audience point of view, I do not like these things, there is no power to impress me as someone above said "grinding mill chirp little emotional". From a creative point of view, a clear and powerful works of the structure and temperament of the building, much more than pondering the so-called ambiguous, vague, unknown type of adjectives hard, I feel that these photographers have not entered the key to artistic creation The reason is simple is the lack of pressure, a great pressure to force you to do a series to think, not the kind of so-called "Happy" state plainly, engage in art is to to your life or take it as a good blog the casually you choose does not matter. .


There are also spoken context above, this is simply not the photography enthusiasts should be considered.


Comments from the old furniture - April 14, 2009 @ 4:44 pm. .


Of the preamble, courage, that is.


焦虑的评论是有惯性的 ，如果一切完备，明晰，不在粘稠，完善的体制，有更尖锐的主题，更连贯的作品的时候，评论还是会继续，，那时思考什么呢，，，批评者与教育者是有共性的，但往往惯性的思考与阐述会掩盖我们本体的主观感受，淡化意义的同时可能新的角度自然产生了，也许更能看到行为的最本质属性：就是发生了，仅仅是个美好意愿的展示是可以代替严重思考的，任老师其实是更多的想告诉策展，参展人在”做”之前的思考吧（个人理解），态度不明其实也就是当下他们的状态呢，，，确实好多人不明晰，每个人都在寻找，，，个人觉的参展人有的有主题 ，可好多风格跨度大，倒是策展的问题了 。 There is good. It's this sentence seems to quote: "the true artist is crazy, paranoid. ” 。.


Later, when did education come: paranoia is the essence of the problem, not the education to produce, and the Identity of a really good reminder, but that white people still do things their own business. .


Foreword of the courage to let me enjoy it!.


[: Yeah:]. .


Comment by 7q7q — April 14, 2009 @ 4: 49 pm.


Cinema, why the film. .


This is always haunted me two questions.


I find the answers almost all the time. .


Thanks to permanent teacher, this log showed me a new trend.


Comment by Laa - 4 14, 2009 @ 5:14 pm. .


Very good article.


Comments from the other side has - 4 14, 2009 @ 7:11 pm. .


Floyd has a spirit of analysis was adopted and chit-chat, evoke the history of life in patients with details that help patients opens a "knot", the "knot" before the patient is unaware of it, through Freud revealed later, patients known to self-healing.


So, if we do not know who a system or environment influence on us, we will not choose to do so (because we do not know who). However, when we already know "system, as well as external factors such as these and their own strong reasons given by the characteristics of this generation.", If still "no choice to do so," it is not in fact have no choice but to deliberately choose . .


Comment by had enough — April 14, 2009 @ 9: 02 pm.


See the world through a network, the virtual side of the world, and the real world in its occlusion process, as if being brushed aside after the onion, layer by layer gradually oxidized, clean quickly defiled. Contemporary China, there is no platform, no assessment system, present the arts, has been control of money and fame. .


Say! fun! clear!.


Although can not see the exhibition, but can imagine the scene photo exhibition and atmosphere. .


I think:.


These landscapes are trying to convey, it is their own inner world:. .


Fuzzy, chaos, sad beauty.


Photographs to express themselves, no harm. .


As long as these photos can cause which can cause some people to touch, and that is good!.


Perhaps some pessimistic:. .


Let photography like a needle through the world, to change the world as a sieve-like.


This is a beautiful idea, but that is it is almost impossible, photography is not the Messiah, photography is the photography. .


Jesus was born after 2000 years fozhu, our world has been better perhaps worse.


We can only propose ideas, we can not change the world. .


Photography, nature photography, don't give it too much of a role.


We can do is: do you understand the world and put forward ideas. .


Comment by 10 persons 10 color — April 14, 2009 @ 10: 15 pm.


Appreciate the backlight of the happy and courage, views clear, logical clarity, rare good article! . .


Oh, I forgot to say, to make up.


Comment by ten 10 Colors - April 14, 2009 @ 10:23 pm. .


At the exhibition the things on the text.


Thank a teacher and all upstairs. .


Comment by teenage — April 14, 2009 @ 11: 25 pm.


Ah, thank a teacher's response. In fact, some of my few words are written in a hurry to catch up before classes, under the rough saw made. Now there are many places to see words, sentences were not to convey his ideas, and one reckless also like him to be tolerant of the Department is one.On the other hand, in fact, we all wish were good, the contention is not no, art has no right or wrong, but for the next move, but the circle has the quality of too little, mostly former gu, looking inside the narrow geologice hazards in constructing quli corner, the space for dialogue and the atmosphere is becoming more and more single photography increasingly specimens of these developments in photography and in particular we the kittens are harmful and useless, and look forward to the Chinese photography can appear a truly diverse pattern.


Comment by Zhang Yuan - 4 14, 2009 @ 11:55 pm. .


Today, the effect of the "preface" seems to be better than this exhibition, which seemed to say. The problem is not the location of this article, the problem is that the curatorial approach. If you just think strategy an exhibition just put a few friends together, it can only be described as a party, a bonfire party. Mr Yue's article on such an exhibition to an alarm function, which is more than to boast of the preface to come more meaningful.


Comment by Emma - 4 15, 2009 @ 5:07 am. .


Exhibition Gallery, through works and how the network for everyone to see.


Comment by Stone - April 15, 2009 @ 10:55 am. .


Old furniture, mainly those who are not working in the Department of State, save the Earth event has not only become a little emotional. Saw your comment made me laugh, no wonder the United States hold bitten human death, we are so small, that what is emotion. I forgive Zhang Yimou on the Olympic opening ceremony were not a solo for the group. You said the pressure is a strong sense of social responsibility of the pressure bar, or achieve the desired pressure? The pressure to make a living, writing, the amount of pressure, the pressure of what to eat tonight? As these did not intend to death-defying Carefree lovers always failed to impress you, because we had time to forget the course of writing such a great thing to take into account, really is our right. .


Comment by eris — April 15, 2009 @ 11: 51 am.


Sister, you are joy, anger, we must allow diverse voices. .


Comment by gexi — April 15, 2009 @ 2: 44 pm.


Ah ~ ~ parenthetic mouth ~ ~ Although I feel tiring ~ ~. .


In China, criticized the liangzi or criticism of "false" in the form of, or to suppress high angle-of, (a criticism to the arms and began attacking insults to defer work) but that is not calculated without fear of the "wild" criticism is not just the rare! analyze its origin before, but you can clear, honest criticism was so precious.


I think no matter who, everyone is equal, people criticized you, no matter the right or wrong, at least people in the concern you, you still have passion, then I felt I should be open-minded, others first, then Then. I think this is civilization. .


Ambiguous state of course has its existence, is necessarily ambiguous produces the parties will, as will appear to other people's comments are superfluous and wishful thinking, I guess this is probably not the views of people love to hear why.


If this ambiguity is only the initial stage of normal performance, then I believe most people will all wish a better future. .


As for the exhibition I feel exhibitors and organizers of confidence, I think quite moving. However, the so-called passion for photography is a private matter, there is about a fight.


Say a few words. Despite the criticism I do not look pleasing to the eye. I welcome criticism. .


Comment by tintinwong — April 16, 2009 @ 2: 07 am.


k said:. .


Should those folk to Japan to learn photography, Tin a political man, Chung-Mei Hao 2 they often do some low-cost small exhibition, is also very dynamic.


Z said:. .


I still think we can hand-book of paper, how much the exhibition everyone out of the points we'll try to pull the point a sponsored session on doing it and then a single local doing it.


K said:. .


You can learn about Japan, many photographers are issued photographic collections, galleries selling works.


Z said: said:. .


Print a special paper 50 more pages or a hundred, one after the other, save untuned down too idealistic.


k said:. .


Only 10 'd haha.


Vice Magazine interview with Araki. .


。.


Interview & portrait photography: TOMOKAZU KOSUGA. .


Translation: LENA OISHI.


In Japan, a monster-like photographer, has so far published 450 photo album - and still shoot every day. His name is. .


Araki, however. On Araki no knowledge of people in the way of seeing him, just as though he were a wretched old man. And, indeed.


His themes are often super sex, even if the subject is not in his shooting when a woman (often the case). He can change anything. .


Very sexy. Who can put the cement of a photograph like female *** that you begin to fight gun? only Araki! this world.


Countless photographers, but no one can, as Araki lived in photography as breathing, he continued to shoot often and sometimes one year will release 20 photo. .


Photo album. All these works, we can see Araki eternal focus: everyday life. Moreover, he also wrote some photographic paper.


On his magic words for his photographs have a very effective role in rendering. But unfortunately, most of his books out only in Japan. .


Edition, and we don't understand Japanese. This is the time we were going to Japan interview with Tomo Araki. Tired of the endless interview Araki, trying to.


In the beginning of the "damage" this interview, and Tomo to go to the library to read the works of Araki Complete Works, tomo often skip class, now tomo. .


Prefer not to skip class, because the reading to harvest. Therefore an open discussion on photography began ….


Vice: Today I would like to mention to you about photography. .


Araki: look, if you want to know my photo, just go read a book. You write always put the same question over and over.


All over and over. In the end you want to know? . .


Vice: well, could you tell us you first pick up the camera's time happened to…?.


Araki: No, no, no, forget it! We cover things forget it! I have to go. Why do not you watch TV or doing something else. .


– Why bother me? I interviewed TMD do not accept. You should be all the nonsense that it is clear that it is boring. You don't even ask me.


I am now for the film projects. Do TMD ask me when I first when taking pictures thing, in any case, it sounds pathetic. I. .


Does not require you to write it into the article, for those who do not understand my ignorant people, OK? I do not give you the answer, my fame and wealth are not interested in.


I am not for fame and fortune. .


Vice: Okay, so I can ask about your photography books published before?.


Araki: Yeah what a stupid question, kid, what you want to talk about this? I have a 450, uh, O God. .


EROTOS Vice: in this book, you make ordinary flowers and ground crack shot looks like male and female genital mutilation. Why don't you.


Photos are looking so sex? . .


Araki: why do they look like porn? because I took them. My photos. Are you curious about why they look like porn?.


They are the kind of, you know? You have been asking me this stupid question, and then to incorporate them into your little article? Oh, come on, you. .


Can show a good point. I have been with the same question asked a thousand times, kid.


Vice: Well, let's talk about your book Kofuku Shashin ["fun photography"]. Relative to your past works, which look like pregnant. .


Portrait of old photos, just like the father of family photographs. In my opinion, these are beyond your borders before work is taboo. What makes you.


Such a drastic change? . .


Araki: have you noticed that, after all, huh? you not too stupid. (Laughter) this may be because now, I believe in "happiness is the best form.


State "on these. Than shooting that appears to be a professional photographer, I hope that my work is very intimate, like being photographed and have the most pro..


Close relationship between the people of the same. I have old, so I finally say happiness is truly the best State. Really nice, right? when you're young.


When you try and keep a distance from your subjects, and everything to keep cool, but ultimately this is the feeling you might win (happy). .


I also noticed whether amateur or professional photographer, they do not take this photo. So I try to do it yourself, the knot.


How kind of fruit do you think? The experience of shooting EROTOS difficult. Like to shoot and EROTOS lustful photos is easy, but in the film. .


Kofuku Shashin, important is to create a relationship between you and models. The two essence different.


Vice: Yes. Easy to become so dry there is a "professional portrait" of the dangerous tendency, and you do not want to become one. .


Araki: Yes. Everyone think art comes from you most familiar or something precious. But my attitude is "not a..


Works of art, do not 'do' photography. "That is to say, EROTOS the initial concept is to do a final photo of the book, the reader to understand..


Photography, not through any text. I am not saying that this is not good or this is a mistake. Now that's not saying that one than another, but is better.


According to my present position, Kofuku Shashin concept more appealing to me. I said I'm getting old, or seen through, or something else? (..


Laugh out loud) is not to say that I have abandoned my sexual orientation. Once you quit, you lose the strength to go on living. In short, when you compare the two.


When the book will find it difficult to think these books are the same person, taken with a photographer, right? Daoshi seem to have a five Araki in years. .


Side.


Vice: Kofuku Shashin composed mainly of snapshots. You shoot in the street when the shooting before it sought permission to be photographed it? . .


Araki: in the past, no one recognized me, so I can secretly on a snapshot of different people. Until one day someone recognize me, I can't.


Well done again. This means that I have taken them in conversation before a. But then, I think this is the best on our Double. .


Parties concerned, because we are all aware of each other's existence. I will make them laugh, and let them forget about the troubles of secular yesterday, or sharing I..


They each have the short times. I shot the next moment. This is quite far-reaching. Of course, that we each have created a space-time. .


Relationships are also important, but we share that time more attractive to me. This is a bit of a bookish, I have time.


Viewing space than the more interested in shooting. This is the reason why my photos somewhere different from the others. This is where the fun, you understand. .


? In time, we share.


Vice: I think I understand why those photographs of people seem so unique. .


Araki: indeed, because the so-called "photographic" means happiness and share time and happy. There is also a little self consciousness, but this.


Is why I think a brief smile to seize far more than to take a complex portrait. .


Vice: but you said "a camera is the penis", and your attitude is to use your camera to your subject's release and catharsis.


Araki: Indeed. But now it turned into a vagina, opposite the. Now I'm the guy to accept and inclusive, the same as the vagina. .


.


Vice: I see. In your Nihonjin no kao ["Japanese face"] shooting plan, you are in Japan, many travel and. ..


And filming local residents. I heard you for each one to see (film program) and to the people shooting advertising. .


Araki: that there is nothing to be surprised, because we live in this world is so gorgeous that you can't shoot them. There is one.


Argument "performance art", but I believe that those who have demonstrated real people have achieved their own theme, you know? . .


Is not to say that photographer attempts to show them. Not.


Vice: So you say you want to embrace inclusiveness? . .


Araki: Yes, because the person in front of you, absorbed, they are so unique. They have their own charm. But they tend not to.


Aware of their own charm. So you have to go find and show them out, for example, "is it!" They cast this atmosphere. .


And your job is filming this fascinating excavated and feedback. This is the way I work.


Vice: if you do not need to shoot only beautiful people. .


Araki: No. I do not discriminate against my shooting objects. You must never accept and embrace them. They are curious, but every man has his unique.


Aspects, often photographers have their own preferences, some people may really like to take some unique models or whatever,. .


But I'm not like that. I encounter anything anyone they are all about. Some people may look like SB, but you have to add.


Accept them, you have to think perhaps it was only your imagination to them, they are not real SB. This way, you can find them for good. .


Aspects. It's easy to say, but I must admit that there were many SB. (Laughter).


Vice: Like many, like your work, this series of work also implies that you have plan to take the whole of Japan, why? . .


Araki: you have to take your side of things, and be familiar with. I have often been invited to go abroad, when I arrived at those places of times I always wanted to.


, "By, I must take more Japanese." Shot at me, I will be around things, my daily life, like my girlfriend. .


I mean, we are in Japan, you should not have consciously say to yourself that shooting in Japan. Should be a natural way. My situation is.


, Say, "OK, I should shoot a bunch of Japanese people," say, "Well, why do I not take the whole country," and all that. .


The result is the "Faces" of Japan (Japan faces) series.


Vice: You have to put in much effort to complete the idea of filming the whole of Japan. .


Araki: I know what I mean, I'm shooting in each area of 500 to 1000 people. Now I just completed the six regions, I don't think I will.


Able to complete the shooting plan. I never! I will be dead! (Laughing) I want to live several more years. But usually I am willing to go. .


Realization of an idea, and endeavour, even if this idea is very vague. Once I started to work in the face of an increasing number of faces, I always.


Learned from them some fresh stuff. .


For example, when I call for volunteers in the film, many people come, and it is obvious that they have different life experiences.


I have met an elderly couple, they said, "Please give us a single photo, because we have been married 60 years but not an end..


Marriage license, "and so on, or," we have a grandson, please give us a family photo. " In the past, my attitude is.


Cameras are focused on those, I and my subjects to reveal the relationship between emotion, but these days, when people came up to me to. .


When, for example, a young couple told me, "Please give us a photo taken", I found they have far more emotion or mood.


On my own. I began to realize that I shot in the relationship between them, rather than the relationship between them and me when, in shooting outside, I will. .


Get more. Taking all of these people has taught me a lot about human nature. Kofuku Shashin the relationship.


The end. When you are young, you can not shoot that way - it is embarrassing. But really, this is the best way. For example. .


You go to cherry blossom season, you can see in the park for a picnic mat which father, two kids play dozes on him and my mother sat.


Next to the contented look. You can not disturb them, you understand? Do nothing, I think I'm in a position, in the. .


I leave enough space in the end I will say, "Oh, that's too disgusting. "Listen, it seems to be that I'm almost dying, or.


What else would. .


Vice: interesting. Then you encounter anything interesting? or is nothing new?.


Araki: I am interested in all things. I think of it, I am now in Berlin has an exhibition called Kinbaku (bundled), including 101. .


Black and white photos. We have an opening that is crazy. Those foreigners so intoxicated — there are so many weird guy. Even electricity.


As the interview is different. For example, "I brought a rope, please tie me," Next, they will be bundled in the form of interviews, camera still. .


To continue, can you imagine? "one more thing: apparently I don't speak a foreign language, so I do not know what will happen next — I..


Super fans suddenly take off all her clothes in the middle, and then begins to rub her ass. Then I said, "TMD how is it?." .


Then she suddenly from her the following joints and took out a plug, came up to me, hold the damn thing on me jiggle!.


Vice: wow! . .


Araki: she is crazy. Incredible! (laughter) yeah, I know this kind of things, like what I just said this episode.


Vice: those who are bundled with the content of your photos appear before our traditional style of such habits are not the same photo. .


Araki: many people have told me about this, when they ask these questions, I tell them "I passed down their bodies to the liberation of her.


Their soul. "Sounds like nonsense it, ah? Until recently I always say," I am not tied to their soul, I just tied her. .


' Flesh. "But now I use instead of answer, because I asked a girl, which statement best? she said she would prefer" solution.


Put the soul itself. "I've said it..


You get to this EROTOS, right? well, it makes you wonder. When I went abroad, many female critics or scholars have said to me, "famine.


Wood, put your other books right away, I think EROTOS is the best. "Very good, right? Flowers in my eyes all pornography. They are all..


Is God. When you realize they all genital, they begin to look like a penis or ***. This book is a classic. Every book I only.


Done from 500 to 1000, but if it good, then I think this a lot. I like to only 500 to 1,000 individuals have the feeling this book. .


In any case, you have two books that today is EROTOS and Kofuku Shashin, it's magic! you have this kind of thing in..


Vice: Thank you. Maybe you can give me some hints on how to shoot a woman with glorious photos of thousands of sheets? . .


Araki: why do you want and they make love? (laughter) I was very serious, this must have effect if you do that. For example,.


Linked to them and and they had physical contact. Today, people ignored the significance of physical contact. They always try to keep some distance. .


They do not occur and the city, and a woman. They don't even have to feel their eyes. My situation is that if I come into contact with.


A girl, I will immediately harden up, you know? . .


Vice: I understand. Thank you so much..


Araki: Hey, you should stay a little longer. The beginning when I want to go home because you asked a stupid question, but you performed well. Me. .


Mean, you just brought EROTOS and Kofuku Shashin two books, you look, I'll take you to another I..


Secret place. Let's go! . .


Sarah · silk mo (Sarah Small), 1979, was born in Washington, d.c., a musician and writer combination of family, when she was 13 years old when he has a passion for photography, luckily she possesses a simple camera and covered with pretty little sister Rachel endless photo.


After the Rhode Island School of Design in learning photography. Since graduating in 2001, she was busy constantly self-seeking, to shoot a lot of fascinating people, animals and bold color photos. She returned to teach high school students and adults the knowledge of traditional and digital photography. Currently, she as an art and commercial photographer living and working in New York. She is the agent of the German Caprice Horn Gallery, photographer, photos, sold in many internationally renowned galleries. .


Her works have been published in life magazine, rolling stone and the New York Times, and Exit The Corcoran Gallery of Art, as well as Australia photography Center held exhibitions.


Because she has maintained the world like a kind of curiosity like innocence, in addition, photography also makes her a serious obsession with an alternative point of view often look at the deep human contact with the world. The festival featured her animal and human work, and close with an exaggerated idea of exposing a surreal harmony between people and animals, struggle. .





































Today saw the album in my douban get behind wave III, photographers eris asked me a question. Very interesting, I seriously do answer.


2009-04-05 16:16:37 eris. .


After a few years to see these, do you think now?.


2009-04-07 20:58:13 stones. .


At that time (2007) as photographed and hunting.


When there's some animals I Juqi Qiang. .


Sufficient to think that the bullet.


Pulling the trigger again and again. .


Hit the majority are small animals.


To the real big guys did not occur often regret ammunition. .


。.


Later, I forced myself with only several bullets. .


But before you go out of the forest.


Will retain the final bullet. .


— Defensive or suicide.


. .


I think if you go there now and then.


Film is not necessarily the case may be rich. .


But it will be fine.


But also and more people sharing. .


Trying to enters their lives.


. .


In addition I think that is not necessarily to a strange place to find fresh.


There has been good other than unusual - today's 1416 translation of an article Madingpaer blog about the creation. .


— Talked about this point.


Words were "I think going out with a camera, using film to record the life around you is a good for your eyes opened wide as a training method.". .


This is the translation of Martin in 1416. In addition to the usual ensued:.


When we travel around the UK, I'm sure most of us do not really appreciate the world we see. We will treat it as a matter of course, because these things are too familiar. .


In this way, we walk through their eyes closed in towns and villages, but once abroad, especially those who are completely different cities, our nerves will recover, everything is fresh and exciting. But I suggest that we should use the same way to watch our own sights.


I am a professional photographer, I own all the main to the subject of some extraordinary things, I just want to show their unusual. I've done things that are often seen as boring things, such as supermarkets, Britain's beaches, I tried to show them new and attractive side. .


In General, we took the camera to travel in order to find those with exotic picture..


You know what I mean: a great sunset, a beautiful old building, like a postcard scenery. We are all affected by a display of photos of what should be a set of assumptions and expectations of the impact: the unusual, not seen, cute or beautiful. In fact, life is unusual, but we have never thoroughly ability to watch them. .


I want to be able to take some examples of what we should be more seriously the ordinary life, we should appreciate those that exist in the us but have not attracted our attention. For example, the scarecrow, this is a wonderful outdoor art, but at the same time have a real purpose. However, if you wish to and those farmers say they are the sculptor, who always think you're crazy. But when you give them the scarecrow photos, you will see the final result will be a wonderful and hyper-reality.


Everyday objects can be grouped into two categories: the appearance of changing some of the other is static. The former example, pumps, and I have starred in a 1986, and now it looks almost like a foreign thing. This photo has been rejected in a period of dull things now has become an attractive picture. .


Taking this photo is good for you because as time goes on, the old routine than modern objects is even more attractive.


You can also focus on those things eternal, I am concerned, I like boxes practical, simple design, it has bright colors that make it a national symbol of passage. Many years, I have been shooting a variety of wonderful backgrounds placed among the pillar boxes, especially the Scottish Islands, Here you can see on the remote and beautiful beaches and deserted crossroads of the boxes. I'm still looking for those distant phone booth photo, but I still think that boxes are more historical tradition, and they are compact and strong visual sense. .


But, sadly, classic red mailbox has gradually disappeared, the public posting is now more glass or metal material.


I hope we can start in a different way to see the world. Spend some time to look at ordinary things, see their design, their form, their own personality. To get a longer-term, taking into account their significance for the future. As long as you give it enough attention, a lot of things are interesting and have their own aesthetic. I think going out with a camera, using film to record the life around you is a good for your eyes opened wide as a training method. .


1416 classroom today is introducing artists samples: Shen Wei (I think that named the young photographer's sample code more accurately). This article is very attractive. When you see others do, but doing something, you better think about "why" or "Why can't I". Yam this article reminds me of the days all Gu zheng in the Chinese photography "on Moriyama Avenue, Moriyama finally said:" you have to continue to shoot, you know. ”。.


----------------------------------。 .


Samples of the artist: Shen Wei "text beautiful sentences.


"Work is not pressing the shutter after the birth.". .


"Shoot a work may be described as a" find yourself "process, is looking for content, it is style and performance, this is the number of traps to bypass, the number of minefields!".


"For artists, every piece is not a conclusive answer." .


"You have to continue to shoot, you know. ”。.


I is defined as: This is my personal favorite photo. .


At the European photography in Western Europe, Germany, France, Britain, photography market commercialization of Eastern European photography always distinctive. In Eastern European countries, the Polish photographer style in particular — believe seen some works of Polish photographer will be memorable, and most of the color saturation jump, the pursuit of fine effect commercial photography in contrast, the majority of Polish photographers seek the latter concept. Color is not saturated even gray tint of light is close to the pale, texture handling more like a painting.


Sometimes style consistency is not a good thing, maybe the first one to see dim light color photography when the audience will be excited, but a lot of content is nothing new, photographic works of similar form again appears before them, visual fatigue is inevitable. Therefore, some changes in the content on the pursuit of photographers tend to stand out in such a time. Benica is a photographer. .


Someone likes to ask the photographer behind meanings of absurdity, in fact, for many photographers, experimenting before will not consider too much significance to the category of things. They are after just breakthroughs, change their inherent of thinking and feeling. These for many photographers, perhaps more than he's behind this picture contains much more important. If you thought the meaning, then there is no one standard answer, you can see what they think, what significance it!.










































































































































































(But I do not like her famous "Long Series"). .


At the European photography in Western Europe, Germany, France, Britain, photography market commercialization of Eastern European photography always distinctive. In Eastern European countries, the Polish photographer style in particular — believe seen some works of Polish photographer will be memorable, and most of the color saturation jump, the pursuit of fine effect commercial photography in contrast, the majority of Polish photographers seek the latter concept. Color is not saturated even gray tint of light is close to the pale, texture handling more like a painting.


Sometimes style consistency is not a good thing, maybe the first one to see dim light color photography when the audience will be excited, but a lot of content is nothing new, photographic works of similar form again appears before them, visual fatigue is inevitable. Therefore, some changes in the content on the pursuit of photographers tend to stand out in such a time. Benica is a photographer. .


Someone likes to ask the photographer behind meanings of absurdity, in fact, for many photographers, experimenting before will not consider too much significance to the category of things. They are after just breakthroughs, change their inherent of thinking and feeling. These for many photographers, perhaps more than he's behind this picture contains much more important. If you thought the meaning, then there is no one standard answer, you can see what they think, what significance it!.










































































































































































(But I do not like her famous "Long Series"). .


Bonfire exhibition now another thing didn't do a good job, it is also not as expected invited to R teacher to write. Mainly we didn't experience, had invited her to do the results of a curator, helping people choose the good works, and then let her judgment, she feels our practices anomaly.


Ideal for our exhibition, R teacher is not without praise, such as her reply to me, wrote: "Your picture may be a lot, but you take pictures of these people is a phenomenon, which I think highly of place. "Well, the question of what the phenomenon of what it means, for careful consideration. .


But look at the camera face material..


She likes the details of a large format camera, but more in love with the smooth and natural light cameras. "I want to take highly technical documentary photographs, they have the best shooting techniques, and extraordinary creativity. I will take I think people want to see the photos, rather than on the box or hide photos I hope that as many people can see them. ". .


On the road, the teacher see Gerrard · blue Xin'an (Gerard Rancman) of the article, very fond of photographers on photography that argument, that kind of input into the enchanted — "I have always been associated with photography by obsession, and the result as a practice coagulated time photography, and God challenges. In this way a kind of magic means there is enough power to move people and scenes in the solidification time. "He took his personal experience, said:" ' photographer ' is a very special theme with adventurous nature. In the course of the entire face of photography, I like to see themselves through the mirror, it is very disturbing. Most of the photographers are all friends, some of the more well-known, all shooting styles are different in different professional environment. All of them will be part of their lives dedicated to photography, I will ask at different levels, and their sense of responsibility when shooting photos. . ".


I also feel the same, like photography friends is the most appropriate shooting model, instead of fear does not avoid the lens, also know how to act in front of the camera.

































































http://www. . Ianteh. . Com /. .


China: Undercurrents。.


1416 had recommended a blog before, at eris they recommended me once. Chinese part is really great. Also aware of the shooting scenes may not be large and medium frame, the key is to see how you do a series on how to use the camera in hand. At the same time, my desire to walk with another 135 to go with the approach of spring, and strong. .














Kommunalka - a Soviet Dream that Never Came True。.





















































These photos are not movies, not placed shot, but the Japanese photographer Jixing Geng Ping (Kohei Yoshiyuki, b1946) works of absolute realism. .


Like the Japanese new wave of Haruki Murakami's novels or who may know, the last century, 70 years of Japan is now in full total volatile movement etc. Social, cultural and economic situation are very confusing. Authorities for people's sexual behaviour is also very strict management, many unmarried couples are choosing to shady Park. This is a very interesting phenomenon: people do someone, someone was watching again. But in most cases, each focused on its behavior and completely ignored the existence of the surrounding. That is, use Flash without care. (囧, too focused on the right).


Ji Hanggeng was only a very modest level of commercial photographer, often passing through a park home and saw these things have taken so impulsive. Before the shooting, he spent 6 months observation. Those who became acquainted with the offender in the beginning after the shooting. Jixing Geng Ping said he's "Park" photography is not only the performance of the sexual status of people in Tokyo at that time, there are right "voyeuristic desire" of reflection, as well as his own their own (that is, those photographers) challenge. However, he was simply "shameless" and thought itself is the most voyeuristic photographer wishes of a group of people, it's a little embarrassed. .


The Park of The month of June 2008 by Hatje Cantz Verlag in Germany published.


Japan, photo websites and major search (carried over the network do not know the source). .


Mood:.


Weather:. .


Categories: photography family viewing: 9599 0 comments:.


Published :2008-07-15. .


○ 0 p x 。. O r g … Tin 辺 color.


http://0px. . Org /. .


○ 8zm//Work in Progress … Maeda a..


http://8zm. . Boo. .jp / photograph /. .


?? after pure joy ... the forest also.


http://afterjoy. . Karou. . Jp /. .


○ Aio39 ... Yonghe, early Tomoko.


http://aio39. . Org /. .


○ Akira Gomi's Sweet Home & Family Plotes　…… Akira Gomi 。.


http://gomi. . Digitalogue. . Com /. .


○ Akya。.jp　…… Akinobu Yamashita 。.


http://www. . Geocities. .jp / mynameisakiya /. .


○ Amadatasuku. .com ... Amada 輔.


http://www. . Amadatasuku. . Com /. .


○ Anore24 ... wing Marsh DUN child.


http://www. . Anore24. . Com /. .


○ ANOTHER WORLD ... Ando letter..


http://ando-photoworks. . Under. . Jp /. .


○ Arata WebSite … zeng field.


http://arata. . Page. . Ne. . Jp /. .


○ ASA-HIRU-YORU　…… YoshihiroToshima 。.


http://asa-hiru-yoru. . Net /. .


○ Atsuo　…… Atsuo Hashimoto 。.


http://www. . Flickr. .com / photos / atsuo /. .


○ Atsushi Saito Web ... 篤 qi cane.


http://www. . Atsushisaito. . Com /. .


○ AYAKO Nakamura ... by the way the child in the village.


http://eieio. . Jp / ~ k-photo01 /. .


○ Ayako Suzuki/greetings! ... The doorbell wood 綾 child.


http://www. . K3. . Dion. . Ne. . Jp / ~ greeting /. .


○ B5 Suen Wu ... Suen Wu Kyu.


http://www. . B5houraku. . Com /. .


○ BACKUP help field 徹 Robinson ... help field 徹..


http://tetsuomi. . Jp /. .


○ Banri Photography　……　バンリ 。.


http://homepage. . Mac. .com / banri /. .


○ BON APPeTIT ... ancient home Eugene Shi.


http://www. . Bonbon-z. . Com /. .


○ brilliant　……　モリワキユウコ 。.


http://moriwakiyuko. . Com /. .


○ CASA-VOUTA ... little bang は る み.


http://www1. . Parkcity. . Ne. .jp / obama /. .


○ dacafe。. photograph。. ……　モリユウジ 。.


http://www. . Dacafe. . Org /. .


○ Daisuke Hamada　…… Daisuke Hamada 。.


http://www. . Daisukehamada. . Com /. .


○ dannna_o Blog　……　オオタカタカシ 。.


http://www. . Optimagraphics. .org / dannna_o / blog / #. .


04 DARK STAR ... Tanaka マ サ シ.


http://homepage2. . Nifty. .com / DARKSTAR /. .


○ Devenir. .info/-doi tetuma ... Earth home-really.


http://www. . Devenir. . Info /. .


○ digi*ana*logue　…… YUKIHIRO YOSHIDA 。.


http://digianalogue. . Com /. .


○ E123. .photographs ... tail 鷲 Yang Kai.


http://e123. . Sunnyday. . Jp /. .


○ Einbahnstrasse ... tail tianxin medium.


http://einbahnstrasse. . Petit. . Cc /. .


○ Eric Rechsteiner Photographer　……　エリック?レヒシュタイナー 。.


http://www. . Ericrechsteiner. . Com /. .


○ .Asahara ETC | A. ... on the original Ming Yonghe.


http://double-a. . Jp /. .


○ Every Sunday Nobuhiro Fukui ... ???‰? fuju.


http://www. . Nobuhiro-fukui. . Com /. .


Photo office 2004 fukui ... Fukui Takashi also.


http://web. . Mac. .com / fukushinmaru. .


○ FLOWERS ... Yoda as a tree.


http://www. . Geocities. .jp/mamamamamama_04 /. .


○ fotable　……　ito akane 。.


http://fotable. . Moo. . Jp /. .


○ F U K O U R I N G-K Y O ... Fujiwara lick.


http://kingyo. . Photolog. . Cc /. .


○ From CONSTRUCTION SITE ... great 輔 Yamada.


http://www1. . Odn. . Ne. . Jp / ~ caa31720/index. . Html. .


? Gallery: kowluck ... Mountain power also.


http://fotologue. .jp / kowluck. .


○ Genmegane. .com ... $ Saku now.


http://genmegane. . Com /. .


○ Genom4 ...-boiler は る な.


http://genom4. . Com /. .


○ GPHS Takeshi Shinto God of lianas just ….


http://gphs. . Biz /. .


○ HAJIME HINA PORTFOLIO ... than a Knight.


http://homepage2. . Nifty. .com / hajime-hina /. .


○ HARUKI PHOTOGRAPHS / HP　…… HARUKI 。.


http://www. . Harukiphoto. . Com /. .


○ Hana の? # 124; Beijing San systems ... hana.


http://osampohana. . Petit. . Cc /. .


○ Hayashi Takafumi is a Street Photographer ... forest long text.


http://hayashitakafumi. . Com /. .


○ HAYATO-OTAYAH　…… HAYATO KOGA 。.


http://fotologue. .jp / HAYATO-OTAYAH /. .


○ Heart Beat Photograph ... p. Yu long.


http://foto-finito. . Com /. .


○ hideki owa dot com　……　hideki owa 。.


http://www. . Hidekiowa. . Com /. .


○ Hiho. .jp ... all generations Yang 輔.


http://yosukeito. . Hiho. . Jp /. .


○ HIROSHI HATATE | standard-bearer Hao hao ... standard-bearer.


http://www. . H2psd. . Net /. .


○ Hondart777. .web ... Honda Yu 輔.


http://hondart777. . Web. . Infoseek. . Co. . Jp /. .


○ Learn HUKURE-root ..., p..


http://www. . Root77. . Com /. .


○ ICHIGOSUGAWARA. .COM ... Sugawara a work.


http://www. . Ichigosugawara. . Com /. .


○ I m g ... mingyang high bridge.


http://www. . Interq. . Or. .jp / yellow / takihi /. .


○: Inscape ... ア マ Yonghe ノ ya.


http://inscape. . Livedoor. . Biz /. .


○ interphotoreceptor-matrix　…… Yosuke Sakai 。.


http://interphotoreceptor-matrix. . Blogspot. . Com /. .


○ Itozaki ... shito-Zaki public long.


http://www. . Itozaki. .com / top. .


○ Jojiphoto　…… Joji Shimamoto 。.


http://www. . Jojiphoto. . Com /. .


○ j s a t o 。. O r g ... Junichi Sato.


http://jsato. . Org /. .


01 Jun Itoi ... shito well lick.


http://www. . Junitoi. . Com /. .


○ kamauchi photos　……　カマウチヒデキ 。.


http://www7a. . Biglobe. . Ne. . Jp / ~ kamauchinet /. .


○ Kaoru suzuki photos ... す ず き xun.


http://www. . Flickr. .com/photos/10276703 @ N08 /. .


○ KAREN PHOTOGRAPHY ... summer students か れ ん.


http://www. . Karennatsuki. . Com /. .


○ KASAI CHIKASHI. .com ... uh ... well fall shows.


http://www. . Kasaichikashi. . Com /. .


OFFICE 2000 KAWATEI PHOTO ...-Ting Akihiro.


http://members2. . Jcom. . Home. . Ne. .jp / kawatei /. .


○ Kazunori Jitosho Official Site … and position and bonds.


http://www. . Jitosho. . Com /. .


○ Kazu の デ portrait ジ タ ル insect リ ー ギ ャ ラ … Kazuyoshi Ide 。.


http://moth2001. . Hp. . Infoseek. . Co. .jp / index. . Html. .


Photo Gallery 2004 KEEP20 ... Hill County, Tsutomu.


http://www. . Geocities. .jp/yamagata126 /. .


○ Keiko NOMURA. .com ... Nomura HKSAR child.


http://keikonomura. . Com /. .


○ koichinishiyama。.com　……　koichi nishiyama 。.


http://www. . Koichinishiyama. . Com /. .


○ Koji Takiguchi ... shuang port-Ho history.


http://www. . K4. . Dion. . Ne. . Jp / ~ ponta-ko /. .


PHOTOGALLERY 2003 KOJIMA HIDENORI ... 兒 憲 dao Sau.


http://konma666. . Hp. . Infoseek. . Co. . Jp /. .


○ KURAGESAITO. .COM ... sea-齋 cane.


http://tender0wind. . Nobody. . Jp /. .


○ K Y O N 2 。. O R G ... the son to Beijing Zhongshan.


http://kyon2. . Org /. .


○ Light Fields ...-good child.


http://dipale. . Musabi. . Ac. .jp / u / Urakami_Keiko /. .


○ LOST DREAMS ... qi rattan Kyu too.


http://www17. . Plala. . Or. .jp / keitasaito /. .


○ LOVE LOVE CAMERA ... Yoshida ヤ ス ヤ.


http://homepage3. . Nifty. .com / belleica /. .


○ matataki　……　naomasa fukuda 。.


http://matataki. . Oops. . Jp. .


○ MATUI PHOTO ... a Thai Matsui.


http://matmatmat. . Accela. . Jp /. .


○ Miccyon in Wonderland ... Nishimura Michiko.


http://d. . Hatena. . Ne. .jp / MICCYON /. .


○ Mikakitamuraphotography ... Kitamura み か.


http://www. . Mikakitamura. . Com /. .


○ minega? ... There is child Iwai.


http://www5d. . Biglobe. . Ne. . Jp / ~ minega / index. . Html. .


○ Mius ... meiyu in wood.


http://www. . K-house. .tv / mius /. .


○ Miyuki motoki web photograph ... $ wood み ゆ き.


http://www. . Motokimiyuki. . Com /. .


○ MIZUE TANIO ... Valley tail Giang.


http://www. . Geocities. .jp / tanio_mizue /. .


○ Mizuhohya ... Oya sea Shou sail.


http://www. . Mizuhohya. . Com /. .


○ Morishita Daisuke Homepage ... big 輔 Morishita.


http://www. . Morishitadaisuke. . Com /. .


○ Nakamuraayao. .com ... Nakamura 綾 before dark.


http://www. . Nakamuraayao. . Com /. .


○ Nakata photo box ... zhongtian enlightened.


http://www. . H7. . Dion. . Ne. . Jp / ~ nakata-s /. .


○ nahoko tanaka Photo Site　……　nahoko tanaka 。.


http://www. . Vc-net. . Ne. . Jp / ~ nahoo /. .


○ naru-k。.com　…… Naruhito Kurata 。.


http://naru-k. . Com /. .


○ Nempatow ? _ ? ... wood mountain there also.


http://www4. . Pf-x. . Net / ~ suicyoku /. .


○ night box　…… Kensaku Kuranaga 。.


http://sandman. . Air-nifty. .com / night_box /. .


○ Niji no kizashi ...-boiler Xiang Zi.


http://nijino-kizashi. . Petit. . Cc /. .


○ NOBUYUKI OKU creative Web site ... Austria out of.


http://web. . Mac. .com / atelieroku / iWeb / Site / enter. . Html. .


○ NO digital　……　? # 124; Paul cents. Convention and Visitors Bureau.


http://www. . Digikazi. . Com /. .


○ Nokuto GALLERY ... it is a..


http://www. . Nokuto. . Com /. .


○ Norio KOBAYASHI-artbow. .com ... Kobayashi の り お.


http://www. . Artbow. . Com /. .


○ Oh Jinil ... wu learn.


http://www. . Geocities. .jp/bacon1124 /. .


○ OKADA Atsushi ... Convention and Tin Tun.


http://www2. . Odn. . Ne. . Jp /% 7Ecec48450 /. .


○ Onaka koji ... Mei Chung-Ho-2.


http://onaka. . Mods. . Jp /. .


○ One_Time ..... MIYAUCHI Bembo history.


http://www. . Itonami. . Info /. .


○ On Land ... rice field-.


http://onland. . Exblog. . Jp /. .


● ON THE STREET, $ MOTODA KEIZO ... ... III. Tian Jing.


http://www. . Motodakeizo. . Com /. .


○ Ooishi hirokazu Photo theater ... Yonghe, and rock.


http://phototheater. . Lolipop. .jp / ooishi / ootop. . Html. .


　　　　○ pallalink　……　palla 。.


http://www. . Pallalink. . Net /. .


　　　　○ Photographer　Ken Hayafune　……　早船ケン 。.


http://hayafune. . Exblog. . Jp /. .


　　　　○ Photography　……　藤居幸一 。.


http://members. . Jcom. . Home. . Ne. .jp / fkuntild /. .


　　　　○ Photo Site 箱庭　……　平田麻衣子 。.


http://www. . H3. . Dion. . Ne. . Jp / ~ hakoniwa /. .


　　　　○ PIYOCAMERA 。.com　……　山口千予 。.


http://www. . Piyocamera. . Com /. .


　　　　○ poki : MURAKAMI Masakuni　……　村上将城 。.


http://www. . Masakunimurakami. . Com /. .


　　　　○ poyaso　……　中村直彦 。.


http://homepage. . Mac. .com / naohikon /. .


　　　　○ P U R R　……　 Shin-ichi Yokozawa 。.


http://slyr. . Exblog. . Jp /. .


　　　　○ R58　……　ももはらあきゆき 。.


http://r58. . Main. . Jp /. .


　　　　○ reisei_us　……　北川礼生 。.


http://reisei. . Us /. .


　　　　○ Re-TATTAKAの日記　……　高橋辰夫 。.


http://d. . Hatena. . Ne. .jp / Re-TATTAKA /. .


　　　　○ rhythmsift　……　Takumi Suidu 。.


http://www. . Flickr. .com / photos / workshop /. .


　　　　○ round cats' room　……　広田敦子 。.


http://www. . D3. . Dion. . Ne. . Jp / ~ saba /. .


　　　　○ Ryo OHWADA。.com　……　大和田良 。.


http://www. . Ryoohwada. . Com /. .


　　　　○ sai's home page　……　Sai 。.


http://www013. . Upp. . So-net. . Ne. .jp / blue_jc /. .


　　　　○ SAMPLE IMAGES　……　井口亮 。.


http://superflea. . Exblog. . Jp /. .


　　　　○ sasa's gallery huwa huwa　……　笹木優子 。.


http://www. . Geocities. .jp/o0o_sa_sa_o0o /. .


　　　　○ SETTING SUN　……　須藤哉治 。.


http://as. . Sutotoshiharu. . Com /. .


　　　　○ shinsuzuki。.com　……　鈴木心 。.


http://shinsuzuki. . Com /. .


　　　　○ Shinya ARIMOTO web site　……　有元伸也 。.


http://arimotoshinya. . Com /. .


　　　　○ shiori kawamoto　……　川本史織 。.


http://www. . Shiorikawamoto. . Com /. .


　　　　○ Shuji's Photograph　……　長岡修司 。.


http://shushushuji. . Petit. . Cc /. .


　　　　○ Slice of Life　……　相馬泰 。.


http://d. . Hatena. . Ne. .jp / danntyoutei /. .


　　　　○ snaps_tomo63　……　吉田智一 。.


http://www. . Geocities. .jp/snaps_tomo63 /. .


　　　　○ Son of a BIT　……　内原恭彦 。.


http://uchihara. . Info /. .


　　　　○ SoZoLo　……　堀隆弘 。.


http://www. . Geocities. .jp / tpiz_sozolo /. .


　　　　○ STAGE FRIGHT　……　岡部文 。.


http://www. . Geocities. .jp / stagfrt /. .


　　　　○ starfield　……　星野太 。.


http://starfield. . Petit. . Cc /. .


　　　　○ stereophonic　……　小宮山桂 。.


http://stereophonic. . Main. . Jp /. .


　　　　○ STRAGGLE　……　林雲南 。.


http://d. . Hatena. . Ne. .jp/nht-w2 /. .


　　　　○ sunday sunny soul　……　sato kazuho 。.


http://www. . Sunday-sunny-soul. . Com /. .


　　　　○ super JUNK SHOW……　ますやま みほ 。.


http://www. . Ms8m. . Org /. .


　　　　○ sunnysidephoto　……　Sakurai Yuichiro 。.


http://sunnysidephoto. . Fc2web. . Com /. .


　　　　○ swith。.net///　……　岡村直明 。.


http://swith. . Net /. .


　　　　○ t999　……　大盛武彦 。.


http://t999. . Exblog. . Jp /. .


　　　　○ tacrow。.com 　……　伊藤拓郎 。.


http://tacrow. . Com /. .


　　　　○ taizoyamada　……　山田泰三 。.


http://taizoyamada. . Web. . Fc2. . Com /. .


　　　　○ Takaci Hirano Photography　……　平野高志 。.


http://takacihirano. . Boo. . Jp /. .


　　　　○ Takeo Mizumura。.com　……　水村丈夫 。.


http://www. . Takeomizumura. . Com /. .


　　　　○ TAKESHI ISHIBASHI / Design and Art Direction　……　石橋剛 。.


http://takeshiishibashi. . Com /. .


　　　　○ TAMURA'S PHOTOS　……　田村俊介 。.


http://homepage. . Mac. .com / shunsuketamura /. .


　　　　○ Taro`s Photo Web　……　佐藤太郎 。.


http://home. . N03. . Itscom. .net / ts-monof /. .


　　　　○ technicolor girl　……　michiko sato 。.


http://technicolorgirl. . Sakura. . Ne. . Jp /. .


　　　　○ THE EYE FORGET　……　横木安良夫 。.


http://alao. . Cocolog-nifty. .com / the_eye_forget /. .


　　　　○ Time Puzzle　……　Kikue Tahara 。.


http://www. . Geocities. .jp / taharashima / index. . Html. .


　　　　○ ｔｍｋｒ　……　徳増憲太郎 。.


http://d. . Hatena. . Ne. .jp / tmkr /. .


　　　　○ Tokyo Undressed　……　Rikki Kasso 。.


http://tokyoundressed. . Blogspot. . Com /. .


　　　　○ Toshifumi Tafuku homepage　……　 田福敏史 。.


http://toshifumitafuku. . Net /. .


　　　　○ 'trace'　……　平原栄治 。.


http://homepage3. . Nifty. .com / hirap /. .


　　　　○ tsaka。.jp　……　坂口トモユキ 。.


http://tsaka. . Jp /. .


　　　　○ TTPPP　……　鳥巣智行 。.


http://ttppp. . Com /. .


　　　　○ vahala photography　……　Simon Vahala 。.


http://www. . Vahala. . Org /. .


　　　　○ _valerian　……　John Sypal 。.


http://www. . Kenshukan. .net / john /. .


　　　　○ vanishing view/消失景　……　 Gakuto Ochi 。.


http://www. . Vanishingview. . Com /. .


　　　　○ Washio Kazuhiko　……　鷲尾和彦 。.


http://www. . Washiokazuhiko. . Jp /. .


　　　　○ Window Scape。.　……　原田晋 。.


http://www. . Aradaah. . Net /. .


　　　　○ Wonderland0505　……　大西みつぐ 。.


http://www8. . Plala. . Or. .jp / newcoast /. .


　　　　○ www。.chacop。.com　……　野田陽彩子 。.


http://www. . Chacop. . Com /. .


　　　　○ www。.hirophoto。.net　……　ヤマシタヒロアキ 。.


http://www. . Hirophoto. . Net /. .


　　　　○ www。.naoka-watanabe。.com　……　渡辺直翔 。.


http://www. . Naoka-watanabe. . Com /. .


　　　　○ www。.onounit。.com　……　小野博 。.


http://www. . Onounit. . Com /. .


　　　　○ YAJIWORKS　……　Yosuke Yajima 。.


http://members3. . Jcom. . Home. . Ne. .jp / yajisuke /. .


　　　　○ ymsn。.org　……　山中慎太郎 。.


http://www. . Ymsn. . Org /. .


　　　　○ XXXX STREET SNAPSHOTS　……　王子直紀 。.


http://www. . Ojnk. . Jp /. .


　　　　○ あかるい夜　……　中?#124;正之 。.


http://koten-n. . Cocolog-nifty. .com / blog /. .


　　　　○ 伊勢谷浩一のフォトダイアリー　……　伊勢谷浩一 。.


http://blogs. . Yahoo. . Co. .jp / iseya_kouichi / MYBLOG / yblog. . Html. .


　　　　○ 石川真生写真事務所　……　石川真生 。.


http://w1. . Nirai. . Ne. .jp / mao-i /. .


　　　　○ イムラブログ　……　井村一巴 。.


http://blog. . Livedoor. .jp / im_love_log /. .


　　　　○ 上島覚英のつぶやき　……　上島覚英 。.


http://dumbtype. . Arufa7. . Com /. .


　　　　○ 植本　from　アルテミスイチコ　……　植本一子 。.


http://d. . Hatena. . Ne. .jp / ichikouemoto /. .


　　　　○ 海野和男のデジタル昆虫記　……　海野和男 。.


http://eco. . Goo. . Ne. .jp / nature / unno /. .


　　　　○ ウンフェーイッヒ　……　ふじいあゆみ 。.


http://d. . Hatena. . Ne. .jp / afji /. .


　　　　○ 大野純一オフィシャルウェブサイト　……　大野純一 。.


http://www. . Ne. .jp / asahi / tokyo / circus /. .


　　　　○ 金川晋吾の日記　……　金川晋吾 。.


http://d. . Hatena. . Ne. .jp / kanagawashingo /. .


　　　　○ 上北沢暗室　……　山本邦治 。.


http://www. . K4. . Dion. . Ne. . Jp / ~ kdr /. .


　　　　○ 河原隼平ウェブサイト[低感度]　……　河原隼平 。.


http://s-kawahara. . Com /. .


　　　　○ 換気口鑑賞団　……　前川ヤス 。.


http://garari. . Jugem. . Jp /. .


　　　　○ 基礎体力強化月間　……　田中真一郎 。.


http://d. . Hatena. . Ne. .jp/shin1ro /. .


　　　　○ 北の大地の記憶へ 　……　mori toshihiro 。.


http://leontopodium. . Blog51. . Fc2. . Com /. .


　　　　○ 木下幸二photogallery写真館　……　木下幸二 。.


http://www. . K4. . Dion. . Ne. . Jp / ~ kinokino /. .


　　　　○ 計測日記　……　 大谷佳 。.


http://d. . Hatena. . Ne. .jp / Sancho /. .


　　　　○ 心の遠景。　……　杉本潤平　 。.


http://www. . Ne. .jp / asahi / photo / kokoronoenkei /. .


　　　　○ 阪巻//ホームページ　……　阪巻正志 。.


http://homepage2. . Nifty. .com / m-sakamaki /. .


　　　　○ 坂本秋夫写真館　……　坂本秋夫 。.


http://akio-sakamoto. . Cocolog-nifty. .com / akiosakamotomuseumofphoto /. .


　　　　○ 写真家?田尾沙織の作品や日記　……　田尾沙織 。.


http://www. . Taosaori. . Com /. .


　　　　○ 写真家「松本コウシ」Photo Station　……　松本コウシ 。.


http://matsumoto. . Moo. . Jp /. .


　　　　○ 写真原人　Satoshi Nishizawa　……　西澤諭志 。.


http://24photo. . Sakura. . Ne. . Jp /. .


　　　　○ シナプス　……　加藤友美子 。.


http://homepage. . Mac. .com / yummmy. . K /. .


　　　　○「住宅都市整理公団」別棟　……　大山顕 。.


http://blog. . Livedoor. .jp / sohsai /. .


　　　　○ 白い密集　……　かんのさゆり 。.


http://www. . Ne. .jp / asahi / white / crowd /. .


　　　　○ 隻影　……　吉田和貴 。.


http://d. . Hatena. . Ne. .jp / ykazutaka /. .


　　　　○ ストリートプレッシャー　……　中込コイチ 。.


http://www. . Ff. . Em-net. . Ne. . Jp / ~ koichi /. .


　　　　○ 添野和幸HP　……　添野和幸 。.


http://members. . Jcom. . Home. . Ne. .jp / bostonj /. .


　　　　○ そ の と か　……　Akiyo Miyake 。.


http://sonotoka. . Net /. .


　　　　○ その時ミミは！　……　高松ミミ 。.


http://mimtk. . Exblog. . Jp /. .


　　　　○ 太陽ヲ貴方二　……　Yoshitaka KANO 。.


http://visfoto. . Exblog. . Jp /. .


　　　　○ タクロウジャシン　……　ハヤシダタクロウ 。.


http://www25. . Tok2. .com / home / takurojasin /. .


　　　　○ 常見藤代ＨＰ(Fujiyo Tsunemi HP)　……　常見藤代 。.


http://www. . K5. . Dion. . Ne. . Jp / ~ fujiyo /. .


　　　　○ デイズ　……　 笹田マリエ 。.


http://d. . Hatena. . Ne. .jp / marieweb /. .


　　　　○ 凹凸凹凸　……　河野未彩 。.


http://mdk2. . Exblog. . Jp /. .


　　　　○ ?#124;京寫眞計画　……　ken1row。.akiyama 。.


http://tokyo-photo. . Jp /. .


　　　　○ ?#124;京フキゲン現像所　……　安井千穂 。.


http://homepage. . Mac. .com/dragon_9/fukigen. . Html. .


　　　　○「峠の茶屋」実験室　……　 直方平ひろと 。.


http://www. . Interq. . Or. .jp/neptune/oan88 /. .


　　　　○ 都夢　……　KuritaKeiichi 。.


http://d. . Hatena. . Ne. .jp / KuritaKeiichi /. .


　　　　○ なんでもモノクロ写真雑記　……　松原正武 。.


http://blog. . Livedoor. .jp / mono_chrome /. .


　　　　○ 難波web　……　難波健太 。.


http://www. . Nanbaweb. .com / cgi-bin / k /. .


　　　　○ 偽デジタル写真屋日報@はてな　……　古関万人 。.


http://d. . Hatena. . Ne. .jp / mannin /. .


　　　　○ 湊和雄のデジタル南島通信　……　湊和雄 。.


http://3710km. . Com /. .


　　　　○ はる?なつ?あき?ふゆ　……　河本順子 。.


http://pocari. . Exblog. . Jp /. .


　　　　○ 菱田雄介ホームページ　……　菱田雄介 。.


http://www. . Po-u. . Com /. .


　　　　○ ボルズ　……　フクハラノボル 。.


http://brog. . Hitomachi. . Sub. . Jp /. .


　　　　○ 松代守弘の展示日記　……　松代守弘 。.


http://blog. . Goo. . Ne. .jp/m_m1941. .


　　　　○ マキノキマ　……　牧野智晃 。.


http://www. . Makinotomoaki. . Com /. .


　　　　○ 未完成　……　濱上英翔 。.


http://siosai. . Kanpaku. . Jp /. .


　　　　○ 宮崎学写真館　森の365日　……　宮崎学 。.


http://www. . Owlet. . Net /. .


　　　　○ ムネウェブ　……　高橋宗正 。.


http://www. . Munemas. . Com /. .


　　　　○ 山城大督　yamashirodaisuke　……　山城大督 。.


http://www. . Yamashirodaisuke. . Com /. .


　　　　○ やわらかい風景　……　内藤広志 。.


http://landscape. . Cocolog-nifty. . Com /. .


　　　　○ 米原康正の成長記録（笑）　……　米原康正 。.


http://yaplog. .jp / loveyone /. .


　　　　○ 読んだら３日以内に絶対うんこもらすブログ　……　生嶌俊介 。.


http://d. . Hatena. . Ne. .jp / ikushun /. .


　　　　○ レンズの向こうの あの娘に話しかける　……　坂本茉佑 。.


http://mys. . Michikusa. . Jp /. .


　　　　 。.


- - - - - - - - Of Criticism - - - - - - - -. .


　　　　 。.


○ Declinaison Web Media ... ... big Nakajima Hiroshi. .


　　　　http://valis-declinaison。.com/ 。.


○ Grapefruit Juice ... ... Lam Tin new. .


　　　　http://www。.tcn。.zaq。.ne。.jp/akbew603/grapefruit/top。.htm 。.


○ photographology ... ... Maekawa repair. .


　　　　http://homepage1。.nifty。.com/osamumaekawa/ 。.


○ surbus ... ... YUKIKO TOMIYAMA. .


　　　　http://d。.hatena。.ne。.jp/totomi_2/ 。.


○ tanigichimiyabi ... ... Taniguchi Ya. .


　　　　http://note。.myb-jp。.com/ 。.


○ texture ... ... on the field repair. .


　　　　http://park7。.wakwak。.com/~ueno/ 。.


○ vindauga_mika_kobayashi ... ... Kobayashi Mico. .


　　　　http://www。.think-photo。.net/mika/ 。.


○ admissions (finished) ... ... transfer civilized life. .


　　　　http://www。.geocities。.jp/tunecivilization/ 。.


○ exploration among the world san を し て ... ... a large Japanese Yan. .


　　　　http://maseblog。.hpaorg。.net/ 。.


○ Los monkey in Cang Xuan ... ... Sato, Morihiro. .


石头说：今年爱普生还有比赛么。.


Epson said:. .


今年的比赛？4月开始，9月截稿。今年可能还会有特殊的奖项，专门对国内区。.


Stone said:. .


去年没比么 。.


Epson said:. .


08年的比赛日本那边，中国得奖的不多。国内区的评选下周三在上海做。.


Stone said:. .


今年如果作品整理得差不多了 就参加一下 好玩啊。.


Epson said:. .


哈哈，我们想今年做一个特别的奖项，如果有国内的优秀作品在日本的了比较高的奖，我们就帮他在国内出一本画册，印刷找雅昌，出版社的话比较麻烦，中国摄影出版社比较危险，其他的社买个书号应该问题不大。你觉得这样的奖项有吸引力吗？或者做个展吸引力大？。.


"I have always regarded photography as a nasty thing - this is my favorite one of the reasons it. I first felt when taking pictures is very abnormal." - 戴安阿勃丝. .


“把一架相机放到戴安·阿勃丝手里，就如同把一颗手雷放到小孩手里一样危险。”——美国著名作家诺曼·梅勒。.


Arbus is the sixties and seventies the United States the most important new standard-bearer of documentary photography, is also recognized photographer of this century one. American writer Norman Mailer once about her: "Get a camera into 戴安阿勃丝 hands, like a hand grenade into the hands of children as dangerous.". .


她出生在富有的犹太移民家庭，哥哥霍华德·内米罗夫后来曾当过美国桂冠诗人。在一个安逸舒适的环境中长大，阿勃丝从小却被一种感受深深困扰：“我觉得孩提时就备受折磨的一件事是——我从来就不觉得有过困境，我被一种不真实的感觉所肯定，而我所能感觉的只是不真实而已。”。.


In this true pain, deformity Arbus first met a child who were touched by this tragedy alive, she used to look for strange people, and track them. She was attracted to tragic figure, because she felt they are more real than her. .


在她的镜头下，所有被摄对象都呈现出一种变态的倾向，人物、表情都是极度丑陋的。她的影像作品被抨击为“不道德”。她的作品最开始展出时，工作人员不得不每天从照片上擦去观众吐下的口水。.


Arbus's photography on the margins of society to explore, forcing people to re-examine the normal, moral, justice, dignity, the definition of words have forced people to face the realities of life. Arbus good at normal overlooked or deliberately reveal the dark places to hide the reality that this type of observation Kuiyin Pi is its image so that viewers unhappy why.阿勃丝本人却是这样认为的：“畸形人有一种传奇性的特质，就像一个神话故事里的人物，阻挡在你面前，逼你回答一个谜语……大多数的人都在惧怕未来生活中的痛苦与创伤，而畸形人与生俱来就带着创伤，他们已经通过了生命的考验，他们是神。”。.


She night in the streets of New York to track deformity, and out of the bottom places, brothels and transsexuals in the apartment in search of subjects, in a dark world, she was a social taboo step by step across the door, with cameras recording the most human vulnerabilities. .


在生命的最后几年，她患上严重的忧郁症，家庭生活的破裂也加剧了精神上的痛苦。她的照片越发黑暗、诡异、不安，仿佛正向人们预示着什么。.


July 26, 1971, Arbus committed suicide at home, open the gas. Arbus's famous statement may be used as her suicide note: "When you shoot other people, you use the rest of your life is to communicate with them." One can only guess, is this in the dark world in the long quest to make her unbearable weight of the soul. .


戴安·阿勃丝语录。.


"Anything has never been as familiar to most people, I recognized who I have never seen before.". .


“对我而言，照片的主题永远要比照片本身来得重要，而且复杂。我在乎的是这张相片是关于什么的。”。.


"You can out of their skin, but into the other person's body; other people's tragedies never be you." .


“我要表现的是熟悉的事物的不可思议面，以及不可思议之物的熟悉面。”。.


"We met a man on the road, basically just noticed his limitations. This trend is very strange, but because we are not satisfied that their own nature, it creates another set of camouflage. We are disguised to the world signaled to others in a specific way to understand ourselves. but you want people to know you, and you let other people see there is a gap between the image, which is what I have called the intent and effect crack. people often want to put on a normal appearance to let others know, and others you do not often see the normal side. ". .


一幅没有焦点的照片！按照常规图片编辑处理程序，它将被扔进回收站，永久删除。.


But it has a magnificent complex of Western oil painting, thick bright color and large blocks of color strongly backed downs, sent the optic nerve; a glimpse of the instant, stand out. Horse flashed by, brisk self-confidence, pride and hidden rooms have king Qiyun, groom anti into subsidiary; this but myself can do attitude of pride, only Xu Bei's "Eight Horses" can be under a high. .


一名骑手驾着马车参加2007年国际马展的表演。.


Typically, the "horse show" that the social news daily, only required elements of clear information, photos, "become" characters use the service, such as the blast from the past like drifting away, leaving no ripple. .


　　偏偏拍摄者不满足于此，他想让读者惊呼，博个好彩头；他不再一板一眼地追求主体的清晰，而是顽皮地把画面变得异于寻常的陌生，增加观者接受的感觉难度和时间长度——这是“陌生化”的拍摄手法。亚里士多德就曾说：“给平常事物赋予一种不平常的气氛吧，人们喜欢被不平常的东西打动。” 。.


So, people have seen an Impressionist painting: large aperture incorporated into more light, focusing on changes in the expression of light color of objects in the overall sense and luxurious atmosphere; slow shutter is moving to become the main blocks of color with the color vary with location, human perception is sensitive to light and shadow awakened. .


　　“艺术之所以存在，就是为使人恢复对生活的感觉，就是为了使人感受事物，而不是仅仅知道事物。” 。.


Japanese photographer Moriyama Boulevard (1938 -) like to compare themselves to the dog. He had a photo in his portfolio, "map" in describes himself: "I used to like a dog on the road every day everywhere in the streets like discharge around taking pictures." He has three photo albums were called "dog's memory," "dog time" and "a dog's memory - the last chapter." He is more a well-known work "dogs." .


森山大道作品《野狗》。.


In the screen, a Shuozhuang of wild dogs in a lonely, provocation, eager, mysterious eyes look back. It is silent to rest, staring at the front is full of doubts. It seems to temporarily lose the direction, or give up the action, but certainly, once the action it will still be full of threats and aggressive. .


森山大道出生于日本大阪的池田市。他在职业高中学习了平面设计后于1958年成为一个独立的平面设计师。.


In 1959, the young rock Moriyama into the famous photographer's studio as Miyatake two assistants. .


1961年，他为当时的摄影群体“VIVO”所吸引，毅然辞职去东京投奔“VIVO”。但不巧的是在他到达时，“VIVO”正好已经解散。当看到这个摄影青年因失望而痛哭失声时，“VIVO”成员之一细江英公收留了他作自己的助手。在细江手下作助手的时期，可说是他磨炼自己的感性与探索自己的影像风格的准备阶段，为他日后的腾飞作好了坚实的准备。.


Forest Hill Boulevard. .


一直到他于1968年参加了由多木浩二、中平幸马、高梨丰等人发起组织的日本先锋摄影团体“挑衅”（Provoke）后，他终于获得了彻底地展示自己的才华的机会。从那以来，他一直走在日本摄影表现的最前沿，以他独具魅力的影像来对时代的变化作出敏感的反应。他的具有日本民族特色的独特影像风格还得到了世界性的承认。.


In 1999, the San Francisco Museum of Modern Art held for him called "Wandering of the dog" large-scale retrospective, then, this exhibition also tours to New York's Metropolitan Museum of Art and the Japan Society Gallery. Moriyama distinctive style of art images has been warmly affirmed United States. .


1999年10月号的《美国艺术》称他是日本第一个在美国第一流的艺术博物馆举办全面回顾展的艺术家。.


Forest Hill Boulevard works. .


2003年，法国卡地亚基金会为他在巴黎举办大型回顾展。.


In 2005, the Tokyo Opera City Art Gallery to hold him and Nobuyoshi Araki called "Moriyama Shinjuku Araki" double exhibition. .


主观抓拍。.


Photographed it. .


拍照究竟是什么？差不多有十年了，我一直在不断地拍照，现在而且将来一定也会不断地拍照、拍照。我虽然把拍照作为一个职业，但这个本质性的问题平时简直就像扑面而来的波浪那样，反复在我内心涌起。.


Forest Hill Boulevard works. .


森山大道作品。.


Forest Hill Boulevard works. .


这问题的重量正如“活着是什么”这个人类永久的命题那样沉重，重压在我心头。有人也许会说，“那是艺术”，也有人也许会说“除了记录之外什么也不是”。而我对于这两种说法，首先能够表示理解，但仍然有许多地方难以接受。要说是艺术吧，但却从来不像被人认可的绘画、雕塑那样，没有只此一件的唯一性创造，而是以非常发达的等值性的光学器材来进行的、现在任谁都能够拍摄的行为。.


And, most important, because the original function is a large number of photographic reproduction. In addition, the documentary, the camera and photography from the invention of the moment, they have been congenital to have replication functionality of things. Photographs in the history of a tiny piece, of course, also necessarily have a record of. .


森山大道作品。.


Forest Hill Boulevard works. .


如果是这样的话，那么所谓的艺术性不足而记录性是不言而喻的摄影究竟是什么？而我平时在不断地拍摄、寻找的东西究竟是什么？下面请让我就我的非常个人的而且不成逻辑的自以为是的见解继续写来。.


Objective obsession. .


这个世界并不全是清洁美丽的，还有一些奇异的、古怪的、可疑的东西。美丽的东西不是我感兴趣的。我关注的正是生活中奇异的、古怪的、可疑的部分。这些东西丰富了我们对世界的体验，从另一个角度构成了或者说重塑了我们对美的认识。.


I am here today, with over 40 years to share my work, but also experience. .


森山大道作品。.


Forest Hill Boulevard works. .


　　25岁的时候，我成了一个自由摄影师，拍下的第一组照片是“胎儿”。拍完之后，我就开始拍摄横须贺，当时的驻日美军基地。自那之后直到现在的40多年时间里，我拍摄的主题只有一个：城市和街头。跟很多其他的摄影师定好拍摄对象然后前往拍摄不同，我只是游荡在街头，像一只狗或者一只猫，入迷地拍摄我遭遇的人、事、物。这就是我的做法。对于人的兴趣，现在想来，应该是从拍摄胎儿开始的。.


Fascination for the city and the streets started earlier. I like to paint a child, said that learning on the headache, like a person in the street Xia Guang. Small group of people went out to play, always a man in the street. In a sense, the streets became my best friend. Now, I have still the case, it was the year the child, only the hands of a camera more. .


森山大道作品。.


Forest Hill Boulevard works. .


　　就这样，在我35岁的时候，我喜欢上了一本书，那就是凯鲁亚克的《在路上》。那是一个简单的故事，讲一个人和朋友开着破车横穿美国大陆，沿途用打字机记录下所遇见的一切。美国的生活就这样随着他的旅途一幕幕呈现出来，在我眼前，带给我巨大的共鸣。我想，我可以用相机替代打字机，用摄影替代写作。于是，我上路了，用了三年时间，走遍了日本所有的国道。.


Over the years, I found a situation: Photography is an endless thing. The street is always fascinating things in the event. .


森山大道作品。.


I always feel that New York should be reserved for the photographer went to shoot in New York and Paris as well, also in Buenos Aires. Shanghai, I can only be taken as a traveler, although I have found this is a place for my photography. But the real Shanghai, or left to the Chinese photographers, especially young Chinese photographers to shoot it. I'm still going to the streets of Shinjuku, Japan or leave me as the Japanese photographer shot better. (Oral Moriyama Boulevard translation Gu Zheng). .


“镜头前的世界错综复杂，我惊讶的发现，其实只要记录世界本来的面目，没有必要刻意创造另一种真实。” —— 大卫·休恩。.


David Bethune works. .


大卫·休恩作品。.


David Bethune, a self-taught Welsh-born British photographer, began his photography career in 1955, first job as a photographer in the Reflex Gallery Assistant, a freelance photographer after the 1956 Hungarian Revolution by prominent report is getting people's approval. .


大卫·休恩作品。.


1965 加入玛格南 David Bethune, established in 1973 in the famous Newport Wales College of documentary photography (School of Documentary Photography), invited workshop, Professor photographers around the world. However, David Bethune eventually gave up photography, road reports, turn to explore and develop a more personal style of photography and filming a series of portraits, such as the Beatles, Jane Fonda, etc.. .


大卫·休恩作品。.


David Bethune far the most important works than about Wales, "Wales: Land of My Father", recorded in the last 20 years of the 20th century in Wales in the economic, cultural, and life a huge change, and be keen to capture the broader market of the industrial age subtle changes in the course of the Information Age and the Meaning of the rich details of the moment. .


在艺术史中，很多优秀的艺术家在一段时间内被艺术圈忽视，却在以后被广泛接纳。“纽约派”的重要摄影师之一索尔·雷特（Saul Leiter）就是一位曾被忽视的艺术家。 “纽约派”是一个活跃于1936年到1963年的松散的摄影家组织，包括罗伯特·弗兰克、威廉·克莱恩、李斯特·穆德和海伦·利维特等人。But the 70's, Suoerleite almost disappeared in the art circle, until 1993, Howard Greenberg Gallery in New York held his solo exhibition, and after the exhibition at the Milwaukee Art Museum to make him once again into the people line of sight. .


索尔·雷特（Saul Leiter）作品。.


In 1946, the young Suoerleite from Pittsburgh to New York. Reiter recalls a young man, had great ambitions, despite objections of parents, smug manner to become a painter. The beginning of photography is to gather some inspiration, he took a borrowed Leica camera onto the streets in New York, with black and white photos capture those fleeting poetic scenes, the lines of sunlight, deep shadow of the silver and the windowpane with a surreal reflection on the meaning of the superimposed images. After that, he turned from black and white photos color photos, and create a unique color street photography style. .


这期间，他认识了著名摄影记者尤金·史密斯（W。. Eugene Smith），尤金把他引荐给《哈勃市场》艺术总监阿里克斯·布罗多维奇（Alexey Brodovitch）和摄影联盟的创始人之一斯德·格罗斯曼（Sid Grossman）。此后，年轻的雷特有机会将作品带到MOMA展示给爱德华·斯泰钦（Edward Steichen），他的5幅作品被选中参加1953年的群展“年轻的陌生人”。.


Suoerleite (Saul Leiter) works. .


索尔·雷特（Saul Leiter）作品。.


Reiter's work has a strong taste of abstract expressionism, was art scene generally agreed that the creation of abstract expressionism is an abstract from the artists inner feelings, but Leiter was that this abstraction from the streets of New York. His works have a strong sense of painting, but with many abstract expressionist photographer pursuing a similar effect of different abstract images, Reiter works in the abstract aesthetic taste is not dependent on the soft focus, or non-recognition of local and other orders people confuse the means of trick photography.他抓取那些日常生活中显而易见却稍纵即逝的场景，因此，这些作品被认为受到卡蒂尔-布列松摄影观念的影响。.


His work describes the people, architecture, weather, the complex relationship, full of split screen, local, hidden, or multi-space and shape. Screen characters are placed in glass, mirror and other fragmented space. Their bodies may be placed in deep shadow, some contours are hidden in the snow, while others have a huge canopy cover. His work is a visual experience of the city - not the street people, but people see. .


和40年代、50年代的大多数纽约街头摄影师一样，索尔·雷特非常擅长于将城市生活的情绪和氛围传达到摄影中。然而，与其他街头纪实摄影师，如罗伯特·弗兰克、威廉·克莱恩等人不同的是，索尔·雷特的作品有独特的感觉。这得益于他在绘画方面的本能和天赋，他的作品着重于表现质感、空间的模糊和唯美的味道，他如同作画一般认真地校准调色板。Reiter trying to capture the fleeting illusion of everyday life, his control of the screen, almost scientific precision, but the screen is no lack of poetic sensibility and a rich visual level. .


索尔·雷特（Saul Leiter）作品。.


Him apart is his revolutionary color photography. In the 1940-1960 era, only a few photographers to use color photography, mainly for magazines and advertising photography, color photography, this is because the cost of expensive printing photos; on the other hand, people think of color photography can not be a high degree of abstraction, the lack of artistic creation possible, most photographers also love the black and white photography, this concept has continued to this day.而索尔·雷特则大胆地开启了彩色摄影的艺术之门，他作品中那些基于日常生活的精准色彩、细微的色调，炫目和充满热情的图像，将我们熟悉的城市建筑纷繁的色彩变化成为图形和色点的结合物，使这些照片甚至具有超越绘画的感人魅力。在那个彩色摄影还不被艺术摄影师们接受的年代，索尔·雷特的作品打破了彩色摄影无法提炼并艺术化的定律，开创了崭新的审美领域。.


Suoerleite (Saul Leiter) works. .


尽管索尔·雷特的摄影在50年代已经因其在彩色摄影方面的开创性贡献而崭露头角，却因为各种原因，延迟了人们对他非商业摄影的承认。在回忆起被承认前的“低谷”时，现年84岁的索尔·雷特表示，他从来不关注是否被人们认识。他父亲，一位著名的犹太学者沃夫·雷特写的《被少数人关注》一书影响了他。.


Neglected in those days, he still do a lot of his things to do: painting, drinking coffee, listening to the radio, Photography, watching TV, reading, chatting with friends or doing nothing. Reiter joked not trained hard enough, although had to worry about because they can not afford rent, he said: "When I sat down and started drawing, turn on the radio listening to music, I will be sent to a very happy world . "Reiter has been drawing, painting abstract expressionism also members of the group, perhaps he thought the painting is he wants to do.对于创作，他自嘲缺乏“生产力”：“我非常羡慕维米尔，因为他一生只留下35件作品。我相信当你身为一名艺术家的时候，你不能用你所做的东西污染这个世界。.


Rich and gaudy colors her works, warm, is a surreal expression of the reality of things, if Dali's work is strange, then Ouka ? 莱蕾's work should be called "ghost." .


乌卡·莱蕾作品。.


Wukalailei works. .


芭芭拉·阿言德，艺名奥乌卡·莱蕾（Ouka Leele），是著名的西班牙摄影家。她参与了上世纪八十年代著名的马德里新潮派文化运动（La Movida），这一文化潮流在二十世纪八十年代随着民主时代的到来、以马德里为中心席卷了整个西班牙。.


Barbara was born in 1957, started painting since childhood, has always been masters of nature and the Prado Museum, the impact of style. New Photography 1976, she entered the school, "Center of Photography," Learning, where she began to anticipate, to show in the eighties was the expression of the Spanish artist's new ideas. .


乌卡·莱蕾作品。.


Wukalailei works. .


芭芭拉的创作一直游走于两个世界之间：绘画与摄影、灵魂与实体。还是艺术学生的时候，她也同时开始学习摄影、并从中发现了表达的新方式。对绘画的需求、对黑白现实的迷恋驱使着她将绘画与摄影相结合、以至渐渐形成了个性化的艺术语言，借此她可以继续绘画的同时、运用摄影作为对现实再创作的工具。.


Wukalailei works. .


乌卡·莱蕾作品。.


Her work has been his own that is "visual poetry, a language not to express the way", from the development of a highly personal artistic language, combining painting and photography in two forms. Critics to categorize her work in hand-painted photography, and was named watercolor photography, the creative process into four steps: taking pictures, cleaning positives, color and save the image. Now she appears unique personal creation of two faces: Portrait - she has a simplified style of depicting realistic difficulty of the different elements, different themes; or close emotional and intimate way, interpretation of nature and life of the mother as a woman in the world . .


http://www。.fengniao。.com CNET中国·蜂鸟网 。.


【Original authors: vivi 2008 年 12 月 29 日 07:57. .


卡斯帕罗夫（1928-1984）是一位出生于纽约的摄影师，他是街头摄影的倡导者和实践者。在他的职业生涯里获得过三次古根海姆奖（1964、1969和1979年）和1979年的一个全国捐赠艺术奖。.


Kasparov works. .


卡斯帕罗夫作品。.


In 1963, the first time in New York Museum of Modern Art held its own exhibition. After studying in New York City College, Columbia University in New York in 1948, studying painting, photography. Later, the University of Texas at Austin and the Art Institute of Chicago professor of photography courses. His experience taught the students a great inspiration and influence. .


His works take inspiration from Walker Evans and Robert Frank works. As their respective publication "American photography" (American Photographs) and "American" (The Americans). From Henri Cartier-Bresson there, he also learned a different shooting style. A picture needs forecasting and seize the opportunity, like all Street photographers do.


Kasparov works. .


Ksparov works.


Kasparov works. .


Ksparov works with the United States in the early 1960s, and his descriptions of social issues through media coverage and well known. He walked in the streets of New York and his camera to take photographs, he quickly shot tend to skew, with its own language of photography.


In 1984, the 56-year-old Kasparov, died of gallbladder cancer, leaving nearly 300,000 non-title picture. Some of his death has been exhibited and published, entitled Kasparov, Museum of Modern Art published the original photos of these collected. .


Ksparov photographing what he saw, favorite things, in the 1950s began to come into contact with the camera, has always insisted on filming until he died in 1984. Take pictures of 30 years, he created a lot of pictures, published five books and throughout the United States and overseas held a wide range of exhibitions. His photographs capture the photographer in the so-called "decisive moment". He took some woman in the streets of New York, described their work, but they do not know themselves become the object photographed. His Flash records them and their surroundings.


Kasparov works. .


Ksparov works.


Kasparov photo theme is American urban landscape, the concentrated expression of a part of different people and some inanimate objects. Kasparov started in business in New York, photographed, and later to the record of life. The professional photographer is a tramp in the persistent roaming the world, wherever they press the shutter. .


The following quotations are my days from Hummingbird online to see, feel quite tasty, extract and friends sharing.


1, Alfred 艾森塔斯特 (Alfred Eisenstaedt). .


Keep it simple.


2, Alfred Stiglitz (Alfred Stieglitz). .


Light to photography.


3, 安德烈斯法宁 cell (Andreas Feininger). .


A technically perfect photo is probably the most boring image in the world.


Good photos are the successful synthesis of technology and art. .


4, Ancel · Adams (Ansel Adams).


There are 12 in any year of meaningful photos is a good gain. .


5, Arnold · Newman (Arnold Newman).


Photographers must be part of the photo. .


6, Danny · Anita Jacobs (Diane Arbus).


I really believe some things if I did not shoot no one will see. .


7, David Calder (XI · David L.. Rayfield）。.


Is not on the camera's input, but rather on the camera's perspective. .


8, Edward · Thompson, (Edward K.. Thompson) 。.


Do not tell me you did not pat the pictures, let me see you shoot a good photo. .


9, Fred · Lipik (Fred Picker).


The real photographer's eyes is that they show the pictures of those things. .


10, Freeman · Patterson (Freeman Patterson).


A roll of 36 exposure means that photographers are satisfied without any new attempt. .


11, Gerry · Cap-Lukin (Gary Kapluggin).


Photography is my second language. .


12, Gandhi (Gandhi).


I believe that all things are equal for everyone, but, except reporters and photographers. .


13 · cock, Jane (Jean Cocteau).


Photographers like a real real real artist as poet or rare. .


14, Mary · Allen · mark (Mary Ellen Mark).


Find the optimal step is the hardest. .


15, Neil · 's (Neil Leifer).


You must be ready luck. .


Sometimes the simplest photo is the hardest.


16 Orson Willis (Orson Welles). .


The camera if it is not a photographer head eye film is useless.


17, Percy Harris (Percy W.. Harris). .


The art of photography is to spend time instead of money.


18, Pete Adams (Peter Adams). .


For great photography, it is important, but not the depth of field.


19, 罗伯特杜瓦 Snow (Robert Doisneau). .


If I knew how to take good pictures, every time I will shoot good photos.


20, 萨姆阿贝尔 (Sam Abell). .


My best works are often unconscious, and the ability to go beyond my understanding.


Indeed, the images can provide the audience with more imagination, but those who imagine that almost a kind of coarse feelings ah! . .

We watch the pictures, especially the lack of background knowledge, and self-righteousness in the "read" those images, obtain amazing mentally and pretentious to: non-root, not crap.

Images photographer witnessed the most is himself, his own choices, opinions, attitudes, feelings, or to have no choice as a choice ... .... .

— Right to Jin Yong ("out of the three Gorges").


See Mr. Lin Lu's blog. .

The cultural revolution must take such photos, but not necessarily preserved. Objective conditions are always so complex. Even in the new period, as we are shooting erotic and pornographic photographs of precedent, but because there are too many reasons (mainly around him, those intimate) we are not willing to publish records. We all imagine can wait a year, a lot of attention to himself and live very close to, and we'll put those photos. We also hope that was a serious phenomenology workers, will be happy to see the photo reflect the person's sense of humor and contemptible. This is what I see Mikhailov photos feel kind of reason . .


1967 generation looking for an actor to film similar to cinematographic effects, or is referred to as "posed" photos, at that time, this way of thinking in the field of photography are not accepted. It will give you that photography was born early photographer would do this kind of pendulum photos. But you should know that Cater Bresson posed a lot of photos, paul Strand also posed photo photos, some of them seems to be living in the real scene, but also own an absorbed object. Therefore, the so-called pendulum photos, which contains a lot of levels. - JEFF WALL. .

Jeff wall: I never take pictures.

This paper presents a large picture of the reasons - but not for the Virtuoso and the Western painting tradition. The reason to use light box - tell us not ignore the creation of the hit. Pictures do not simplistic, excellent artist and painter, like the country is behind closed doors and repeatedly modify the work, complex process, enjoy the process. .


There is a section discussing a return to the photographer S, do not know if you get tired of him or he redness or have other ideas, discussion alluded to a very strong, I accidentally touch a bit, has also been sprayed with paint. Read someone else's discussion, think it has something to say, on their own yard. References to the original author and I'm not mentioning, URF my voice.

1. .

Art is not a private adultery, there is nothing you cannot get the public discussion.


(Is it good or collective obscenity?). .


Shoot out, it is evaluated.


(Take pictures that people comment in? Who set the rules? In good when people say hi, when others say bad counsel?). .


What's more, the public discourse itself is a sign of his success.


(I am not a fan of his. I do not think he succeeded. The public discourse, in my view, not a sign of his success, at least this did not attract me.). .


In fact, who says S good, I can find out the reason to refute him. Whether it is the starting point of his photography or film itself.


(You argue, even if you are strong? However, state your ability to buy Why?). .


If this is the Chinese people shy and body awareness, he really convincing.


(What is innovative? Innovative standard is how kind?). .


Play good photographers as swap out, not to mention he didn't shoot the number of Chinese people. If S is the only memory start is too shallow.


(Think he had no deep-ah. Why should photography deep, deep, what?). .


I recommend one of my favorite photographer, he is also the theme of identity, but also my portrait of photographer.


(Can do great picture ah?). .

2.

I think S's creation should be among the growth in Western civilization that his concern was his exposure to the Western world, the spirit of scenery, there he can find the most perfect body of the most articulate. Ideas he returned to the East, wanted to take a Chinese grandmother naked, I guess that would not be very exciting, but also no need. .


(See photograph Chinese, does not work. Landscape more times. The other day I was on the road, think about this. Find the Chinese people of colour and facial structure, are not suitable for color photography, color is a bit gray, which can be found relatively ugly, ugly people on line, easy to follow).


He faces the East in Western languages, college background, professional artists, tone, and his debut to the country of young photographers who occupy most of the percentage of mid-life switch, amateur creates a problem, and their professional approach compared to the production We are not too amateur. .


(In fact, there is a logic error. Not because he talks, he Orient, we only know him, if he works not let us see the making of important, promotion of must and "nigga" capability, we need to discuss his or his works in the former. Very annoying amateur not amateur, that is the need of reviewers. ）。.


3. .

Of his behind the business promotion more meaningful.


(Commercial ah ~ .

4.

I deserve respect not just self-promotion (eg, finishing their work, make website, look for opportunities to the people watching to see), also refers to the picture productions. .


(Production is important, in this point. ）。.


I shot a good mood today, tomorrow, well, I will rest for six months. Photo technology does not mind, be left entirely to self-play cameras and scanners. PROJECT beat and shot a couple of months, opportunistic. .


(Bad, commercial free-temptation most vulnerable to injury to the patient. ）。.

5. .

In the United States that a commercial message level is so high in the art market (malformation of the Chinese may be commercialized), the photographers of the refresh rate is too fast, this year you will be introduced to, maybe it was someone else had Thunder. Perhaps we can from commodity perspective and think about this matter?.


(Do not worry be brush. People are not man live.). .

6.

Or did not quite understand how operators S a special case, is his work itself Westernization? Or brokers and galleries to promote? Or comment on one comment? . .


(Foreign operation mode has been implemented in other pure art, the internal photography will do. ）。.


If not, he works westernization or the East, but only because the work is limited but they are brokers, who pulled down the gallery, or comment on a height, that the Chinese photographer has not really learned it. Some people think I work well enough to refuse to promote someone else? Perhaps as individuals have. But as a photographer the whole of China it. What other alternative ways to promote What? . .


(China photographer will not be a whole, cannot rely on a magazine, a forum, a group of the collection. We are all unique. Marketing also has its own way, I am of the view that this matter, if you want to be promoted, detour, to the point. Of course, more welcoming broker system, which breaking things for others to do the photo shoot or go to the bar. ）。.


Ryan McGinley 1. .

Ryan McGinley 2。.

He has taken away my dream. Spring dream. .


Give yourself out of the title and resolve the answer is no. It takes courage to set obstacles, answers frequently asked questions means to face new problems. Happy or between the two, you call it the "process". Process is not a straight line, winding of the many unnecessary bureaucratic, leaving those others may not be true, it is for you. You remove them from the many possible rescue, Goodrich, you are all so unmistakable. Can find those little things in particular are very happy, but to be able to string together the small particularly when I started, too Shuang. .


I'm not superstitious, 223 and K1973 start me up a photograph. No idols, only an example. First let me have a crush on the LOMO, which I see there are many more possible. The former is hanging up my appetite for the first time I picked up a camera, which filled my imagination, I could see the other side of the landscape. King, I will often be raised, his growth, without breaking. 223 said less, he would be very difficult to break through. As youth only once, 223 photos in my case is history, memories, is reflected. 223 beautiful color photographs, he began taking pictures at the time (though also three or four years time), with many of our young people and can not be presumptuous to try and happiness (inland areas where there is nothing fashionable party, party animals is not all with , the media has limited opening, Guangzhou is a sub-stage). Today, many people even more unrestrained than his more flashy good time even doing drugs but only a 223. MEMO or MADA Once Green said the first one that shot the little girl's not beat Liu Yiqing the. She is a pioneer in the face. Then I would also like to shoot LOMO, no one good time had 223. .

"My party"-Lin Chih-Peng photography exhibitions.


June 28 -7 13. .


Songzhuang Art Museum in Beijing.


Curator: Li Xianting. .


Sponsor: King Gallery.


Am sure, like me, like photography, met my friends the same question. Like the photo in a period of time, I thought I must be on the increase in technology and equipment, so a lot of thought in the technical discussions and purchasing equipment. Everyone situation is different, this process has a long, short, sometimes it may be difficult to extricate themselves. We all know the benefits, the downside is losing just love to take pictures of the heart free operation, especially as thousands of people to see their side in the side, the time of loss beyond words. This is a difficulty, "archery and Zen," a book proposal "ecstasy."The book is from the practice of pontificating, many feel that their shot walking will also feel. Sometimes a good photo is not a so-called shooting, but feel that many of the moment is their own do not see the accident, some see the discovery than envisaged in the open, meticulous and thought provoking. The good time I? not me. Timely summary, always be self-righteous meet submerged, error, gnosis. I am a long time away from really far away. This is the section of the detour, do not want to see the person before you leave. If you feel that your film developed, they insist, equipment, good and bad, high and low technology really can improve the practical operation of the bit, and look up the dictionary and see the same words, the impression was deep. I do not know whether this statement clear: pay attention to technology, taking photos, but photos do not care technology. When once adults, we can not return to the child, but you can take the kids touch the hearts of the outside world, to resist old. This language is also given to small pairs of words by reminding me Xiaoman. Thank you. .


Each scan negatives, my biggest concern is not a question of photography, is not a negative color restoration, dust I fear most. Don't understand why there are so many in the room, do not understand why so many gray into every nook and corner. Then sweep up electronic file to see the photographic effects, I'm still crash. — There's dust. Fix photo is more fun is pain, pleasure is to save lives, suffering is often see life pieces.

ALEC SOTH also afraid of the original dust. See the text of any Yuet "Alec soth miscellanies." .

Soth to Carroll addressed specific job details:.


1 film loaded in the bathtub, because it can minimize dust. .


2 If the bathroom is a fluorescent lamp, the lamp off after 10 minutes and then go in, because the lamp warm will give the film the fog brought.


3, in the bathroom towel stuffed under the door. .


In Soth Pro before going out, he added a fourth: "Oh, by the way, I do this thing, basic are naked. "This continues to be in order to reduce dust," the scene is like a scary suspense films. "Carroll said.

The tyrant is a damn dust! I like. .


Today at the insist on 1416, noncommittal. Feel that person and who is actually is. People only see the results, one who is unknown. Persists,? a year is to uphold? in a block in a year of promise? if you are just shooting the surface, a year and a day of difference where? sometimes insist on not doing things. Also need to know. I don't think China is not the lack of work, lack of brain. Sometimes insist on not so straightforward and simple in practice. .


Ren:.


I have a question for you. .


If shooting people.


And the shooting object is not to sign a contract. .


If this is the street shooting.


How people count of copyright. .


If the publication or exhibition is not contrary to the portrait right.


How to sign the contract. .


Stone.

Any answer:. .


The problem is that we have a special interest in China on this matter, there is a prerequisite for our legal system is sound, that is to say, perhaps a case will have a different judgment, I think you'll understand.


We talk from the perspective of the rules. .


In fact, we are concerned about the portrait right, but on the street filming process, you may violate the privacy rights of the other instead of portrait right. If your photo without the consent of the other party in the media is published, note-does not exist, the media and violations of the portrait right, because violations of the portrait right there are three important points: first, the other face of clarity, the second, wider dissemination, and, thirdly, to. Therefore, the image in the media in General will not be profitable purposes, would not constitute a portrait right, but if you take the opponent does not want to let others know that he can sue you for invasion of privacy. If your photos are derogatory meaning, but also a violation of his reputation. .


If you are doing your own work of art, in fact, there is no infringement of the portrait right.


Of course, it is preferable to the other party owes a contract, in fact, the contract can be very simple: I agree with so and so will my photos for gallery exhibition, publishing, museums. .


In this session, the most important fact to be honest, is a human communication, do you want your object to be honest, inform you of the purpose, in fact, in most cases there is no contract, he will not get you into trouble.

(Do people involved in several themes and I to be a gray sub-contracts, he also ask my colleagues in law school. I think the term is not clear enough on the EMAIL Yue teacher. Ha ha. Any teacher's back is very fast detail. Thank you, oh.). .


Photographing the happiest when I saw the film in light filter showed beauty beyond your imagination, or is in the monitor see scanned into an electronic file, its color and composition than your shot and more resistant to human memory (only you) trying to understand. This is a process of self reward, self-healing process is also a self-motivated. Others and the moment you see the results, I do not see your thinking process, and do not see your Trek you torment. Instead of telling people what you are doing and how to do, or things bare to tell them, is all. As for their comments and position, it touches on second. I believe that pictures of people has always insisted, not for the interests of the drive, those photos are not utilitarian drive to respect his heart - and of course, that person may have no interior is another matter. Optimistic about the film process, and the same feeling of drinking water after long drought. I do not smoke, but sometimes ask people around whim to have been, what I want to burn, then immersed himself in the combustion process. So strange to cool to.— I don't know what to say because I just saw the film, there are a few photos not only put me up in April, also let me stay to marvel at the beautiful light and shadow, it seems that someone up on pushing me away, I flew up and starts taking lives, the sun beating down my heart to become part of the cloud, I walked in ideas. Into that feeling, or how difficult it is, but have just unforgettable. I think a lot of time because of this addiction - I want to say is the word - it is because of addiction, only so that I can happily take pictures, and the delusion that he is talented, if not insist you can shoot different world. Perhaps those who love taking pictures of people is the only way a time when narcissism and self-confidence. Ha, I hope wake up, I am not ashamed to see these words, I am very proud moment. .